Hey guys, latest issue of Rogue Cinema is up and you might recognize a couple of the other writers in this one. 🙂 Here’s my latest batch of reviews and interviews if you’re interested. And I will be back soon – after a month of living out of boxes, I am finally unable to unpack! Yay! Unpacking dvds and books never looked so good. 😉
You might remember (or not, lol) that I did a review for a little indie local film called Dark Passages back in August. Well, I was also lucky enough to score an interview with creator Cesar Cruz about the film and his entertainment company. From what I’ve seen, Mr. Cruz is hella talented so check out what he has to say below! (And more Antfarm Dickhole will be coming your way soon…yay? ;))
1. At the Dark Passages premiere, I noticed that it was also your production company’s 14 th
anniversary. You look pretty young – when did you start making movies?
I came up with the idea of Outworld Entertainment when I was 13 years old. It wasn’t until
1998, when I was in college, that Outworld Entertainment became a reality. I registered the
name and created our first website using a basic, free, program called Cool Page. My first
film was a feature length horror/thriller called Darkness which I put together using a lot of
friends and classmates from college. Back then, desktop editing systems and programs were
just starting to get going and there was no HD format! So we did everything with bare basic
equipment, a Hi-8 camera at the time, and a copy of the latest Premiere. All our masters
went onto VHS since DVD burners really weren’t around and those that were, were extremely
expensive. With Dark Passages we shot full HD on SD cards and edited the entire film on a Mac
book Pro. A long way from our “Darkness” days!
2. You wrote and directed Dark Passages, do you write all of your films or do you take on projects
from other writers?
Most of the films I have worked on I wrote and directed myself. I really enjoy the story telling
process and I have always been influenced by James Cameron. Who writes and directs all of
his movies. I feel that the person, who created it and wrote it, has the best and clearest view
of what the film is going to be. With that said, I have directed a few short films written by
other writers. I like to push myself and get a taste of different things. I directed AFTER THE
FALL, REDIMERE and WINDOW, who all had different writers for each film. All three were great
experiences! I try to respect the writer’s original work while inserting my own style and vision.
It’s a unique process and I am glad I was able to experience it.
3. Tell us about The Frappinos, your feature length comedy. What’s the story and how did it come
THE FRAPPINOS is a remake of a remake! It started off as THE FRAPPACHINOS and was my
immediate follow up to DARKNESS. I had this crazy idea of having a NJ mob family fight off
zombies! We were fresh off of filming DARKNESS, so we still didn’t have any idea about what we
were actually doing. There were casting problems, quality issues and continuity was destroyed
since it was shot over a year long span. Despite its problems, THE FRAPPACHINOS was a great
experience. It led me to create a lot of the foundation of what we were going to do and become
as an independent film company. A few years later I re-did THE FRAPPACHINOS and changed
the name to the FRAPPINOS. I got rid of the zombies and put in some ridiculous monster/fantasy
element to it. The characters became a big hit with viewers so I knew I had something special.
When DARK PASSAGES got put on hold for funding reasons, I decided to go back and remake
the film, again! This time I got rid of all the supernatural elements and just focused on making
an adult comedy that was heavily influenced by FAMILY GUY and THE SIMPSONS. I was trying to
make a ridiculous, outlandish and vulgar comedy. In many ways it worked! We won an award
with a budget of $500! It was always conceived to be a trilogy or a web series.
4. Which film that you’ve done is your favorite and why?
DARK PASSAGES is definitely my favorite. I love dark stories and fantasy. I really felt in my zone
when writing, filming and editing DARK PASSAGES. It had all the elements of a story that I love
and had the elements of movie making that I always wanted to do. Unfortunately, the economy
hurt us with funding so we only got to make a fraction of the script I wrote. But, I am extremely
happy with what we filmed and the extremely positive reaction that the film is getting is
awesome! I also got to work with one of my favorite bands, Leaether Strip. It was the first time
working with music composer, especially a world renowned musical artist. Claus Larson is just
amazing! He is full of talent and he really submerged himself into the world of DARK PASSAGES.
He only had the script to go off to create the character that is the music. I knew his work on this
film was something that would be just amazing. It is also really cool to have my film have its
own internationally released soundtrack!
5. What’s in the future for Outworld Entertainment? What upcoming films do you have? Where
do you see yourself in 5 years? What’s your goal as a filmmaker?
The last film I did was a short film called WINDOW. We are working on getting into festivals for
that film, as well as festivals for DARK PASSAGES. I also want to try and get DARK PASSAGES
into the feature that it was intended to be. Other than that, I have no plans on filming anything
new. I have a ton of ideas but funding is such an issue. I also have a project called TRILUNE
coming out. I have been working with 2 long time Outworld Entertainment contributors for a
few months on it. I am looking forward to it being released in October. TRILUNE is a place where
I can let me imagination run free without any budget constraints! It’s dark, brutal and beautiful!
That’s all I can say at this time.
6. Any advice for newbie directors and filmmakers?
COLLABORATION!!!! It is the key to filmmaking! Everyone involved is as equally important as the
director and star of the film. If you are a filmmaker you need to be willing to listen to everyone
involved, you have to trust them and you have to have your ego thrown to the curb. Respect
everyone that is involved! That includes everyone’s private time and schedule. Schedule your
auditions, meetings, rehearsals, and filming dates in advance. Give your cast and crew the
courtesy to work out their schedule and time to prepare for the project. I can’t tell you how
often I see actors getting a call the day before to shoot a scene. We are talking about actors who
have day jobs that all of a sudden have to stress about taking off or finding a replacement, on
top of figuring out how and when they are getting to the shooting location. In the end, you end
up with a cast or crew member who is never 100% prepared to do the job you need them to do.
I have never screamed or yelled during any of my productions. I have fired people, thought! My
basis for firing has always been a lack of focus, reliability and commitment to the project. Either
everyone gives a 100% and is on the same page or there is going to be a problem. So as soon as
I see something that isn’t working, I am going to fix it. There is so much I can say that I learned
from my 14 years in the business but I am not going to bore your readers!
Hey guys – new issue of Rogue Cinema is up and I have a handful of reviews and an interview in it if you’d like to check it out! 🙂
This past weekend I had the opportunity to check out some local cinema, in the form of Cesar Cruz’s Dark Passages. Local talent always gets me excited because I used to work a bit in film and it’s always exciting when something you’ve poured everything into finally gets a premiere and recognition. There was also the added bonus of it premiering at the Darress Theatre, where my play will be opening next month (ergo, my new home away from home!).
I arrived a little bit early amidst a throng of people (several of who were clearly involved and running around getting things in order). I bought a soda and settled in to wait for the show to begin. Pre-show involved “The Twilight Zone” (I believe) on mute with some really great music playing.
Now the man behind the magic, Cesar Cruz, is someone I’m not familiar with but it seems he now works at my old company, which is how I found out about this showing. He has a production company called Outworld Entertainment and it seemed that not only was this a premiere but their 14th anniversary so CONGRATS!
The showing opened up with a few general comments and jokes from the MC then it was onto the films. While Dark Passages is my main concentration here I do want to mention Window, the first short that was shown. Window opens with a radio announcement about biochemical warfare and from there the action starts. It’s not a lot of action because the entire movie is set in an apartment but it works. A man with a weird finger tic starts roaming around this apartment. Who is he? Why is he there? He’s clearly looking for something but at the same time something or someone seems to be looking for him. Window was vaguely Hitchcockian, with a tense atmosphere and an ending that left me wondering who was a victim of the biochemical warfare and if the whole thing was merely fantasy. A nice short, perhaps a bit too long.
Next was a music video but I’ll skip over that to the main event: Dark Passages.
Dark Passages opens fast and furious in the center of the action. We’ve all seen (and discussed here in the past) those people in a locked room scenarios. This takes from that and expands to a group of people lost in the woods. They’re not lost together however. We open with heavy conflict in a guy and girl who obviously have a past but haven’t been together in quite a while. They respectively wake up, look around and start to fight about where they are and who’s fault it is. Various other characters start to enter the scene – a screaming, crying woman…a tough as nails, takes no attitude lady…and a guy who looks oddly like Jensen Ackles. Seriously, like dead-on ringer. Insert this guy:
And things get really serious, really quick. While at times the story gets a bit convoluted (I was a little confused at times because the film jumps back and forth through the use of flashbacks and other locations), overall the concept was great and I’d love to see a longer version as I left with questions. The cinematography and makeup were aces and the acting was mostly good (although there was one guy who just did not seem to care that he was about to brutally die. Not even an, “Oh no!”). My favorites by far were the no-nonsense lady and the guy from the beginning that woke up with his ex-girlfriend. Those two actors were fabulous and their character arcs seemed better plotted than some of the others. Here’s the opening scene (note this is a color test so the final version was a bit different):
Overall, an enjoyable time and I can definitely see a future for this filmmaker. I’ll be interviewing Cesar in the near future so be sure to check back for that!
No, this isn’t the story of Lo Bosworth. This is much more interesting than that and there’s a lesson learned here that’s one of the most important ones to remember. What is it, you ask? That demons have problems too, man, and when they do, they’re going to sing and dance to work them out just like the rest of us. Admit it, we all have those moments where things aren’t going quite right and in a fit of frustration we break into song. Don’t lie, you know you do it too. It’s alright, no one’s judging.
Demons and musicals aren’t an uncommon phenomenon. Just check out “Buffy the Vampire Slayer” or “Angel” if you don’t believe me. (And Mr. Joss Whedon, if you are by some chance reading this, I just want to mention that I think you’re bloody brilliant and if I could work for you some day, it would be quite possibly the most wonderful day of my life. I can even just go pick up your dry cleaning or something. Anything. Just call me. Okay??) Ahem….sorry about that. So demons and musicals aren’t as uncommon as one might think but the demons in Lo take things a step further. They have theatricality. Literally. The entire movie is staged as if the audience is merely sitting in a theatre watching a live show with certain light sequences reminiscent of the lighting in “The Cabinet of Dr. Caligari”. Random fact that makes me geek out, is that the writer and director created this after watching Jan Svankmajer’s “Faust” (and I am a HUGE Svankmajer fan, I adore him!). Not only is there song and dance but there’s comedy (sometimes of the absurd and sometimes of the Three Stooges variety) and there’s drama, sweeping drama in the heartbreak of a young man who’s lover has been kidnapped by demons. What you thought this one was all about the demons? Puh-lease.
The moral of the story here is very clear. When in doubt, when in pain, summon some demons to put on a show. Might cheer you up or they might kill you but either way you’ll be in a better place than before!
I saw Baghead at the Sidewalk Film Festival in Birmingham, AL a few years ago. It’s not a bad movie by any means but I was somewhat let down by it (it was mainly being billed as horror/suspense and was somewhat lacking in those areas).
Very independent and another entry into the handheld camera “documentary” style genre, Baghead consists of four actors…..playing actors…..who decide to go up to the woods one weekend to write a movie they can all star in. Being a former actor, I’ve done this sort of thing and the movie is pretty accurate in its portrayal of actors being actors and writing a script. There’s a certain strain amongst the friends even before they reach the cabin in the woods. One guy is in love with the young bouncy new starlet (reminiscent of Brittany Murphy, RIP) but she thinks of him as a brother. And the other two people have dated on and off for about eleven years and where their relationship stands at the moment remains unclear. This leads to jealousy and pettiness and squabbling before they even reach their wooded destination. And once they arrive and start drinking non-stop (seriously, every scene they’re drinking. I have no idea how a person could possibly drink that constantly and still be coherent) the tears begin to flow. To further exacerbate the situation, the story they’ve started writing (involving a group of actors in the woods who are being terrorized by a guy with a bag over his head) starts coming true. Yep, the oh so terrifying baghead man shows up. With a knife.
While the ending is a bit predictable, it’s still pretty good. Props for this one for trying something fairly original and for being a true indie.
Blood Car. Simple, elegant, and wicked cool, eh? After attending a director’s panel at the Sidewalk Film Fest in Birmingham, AL and hearing the director say this about his movie, “I wanted to make a movie you’d find on the shelf at your local video store. One with tits, blood and cars.” I had to find and watch. And I must say MISSION ACCOMPLISHED, Mr. Director. Not only is there a car that runs on blood but there’s lots of sex–the dirty kind, the awkward kind and some of the just plain interesting variety.
Gas prices have soared in the near future, now averaging $32/gallon, so people can no longer afford to drive. Enter one mild-mannered vegan kindergarten teacher named Archie who is working on making an engine that runs on wheatgrass. Unfortunately he’s had no luck. But then his luck changes when he accidentally cuts himself and realizes that (of course) BLOOD is the secret ingredient to having a happy car! Over the course of his journey, Archie becomes….well…..let’s just say he’s less of a peace-loving environmentally friendly guy by the end. But who can blame him? Let’s face it, the blood to run a car has to come from somewhere right? So of course he has to be less of a nice guy! Add in the fact that there’s a secret agency after him to get the secrets of his car and it’s no wonder he gets a little cranky.
Featuring a turn by Anna Chlumsky, as a girl who runs a vegan stand and is in love with Archie, “Blood Car” is definitely a fun ride, best suited for adolescent boys or fans of such movies as “Bad Taste”.