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Volumes of Blood: Horror Stories

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Holy fuck! Who’s that creepy motherfucker and what is he doing here?? Something tells me he wants to strangle me with my own intestines…which is VERY unhygienic, so EW. Or he could just be that guy from VOLUMES OF BLOOD: HORROR STORIES, the sequel to the kickawesome VOLUMES OF BLOOD. Remember that one? An anthology, but a super fun one with lots of gory good times? (Just click the link if you need a refresher!) But we all know that the killer always comes back, no matter what, and we also know how it tends to go with the art of the sequel. So does VOLUMES OF BLOOD II hold up to the first? Hmmm…let’s take a look….

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“I knew filling those balloons with blood instead of water would be awesome!”

Our story starts with a heist. One that’s set in the middle of nowhere (maybe a farm?), which is the perfect place to die. It starts out well enough with three amigos heisting, shooting the shit, and telling spooky stories about the old place they’re stealing from (because one ALWAYS does that during a heist, duh). At least half of our opening story was filmed in apparent complete dark, however, so you’re going to have to rely on your ears big time here. BUT the kill scenes are nicely lit and so long as you get to see people die, I guess it’s all cool, right? (Huh. That last sentence doesn’t make me sound unbalanced at all. ;))

But WAIT, no, omg, guess what?? That whole time we were watching a movie!! I mean, obviously I was watching a movie but then I was watching people watching a movie! Ah, the old movie within a movie trick. (Thank you, CABINET OF DR. CALIGARI) Boy, did you get me. Then we’re off to…watch another movie? But first we need to time jump to the past? And then 20 minutes past the past? Then come back to here to watch the movie? (I think I got that order correct.) There were lots of random images being flashed about, so I wasn’t sure if we were going back to the library and following the immediate aftermath of the first film or if we were jumping into a, um, jumping into movies anthology. It turned out to be neither.

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“Look at me, I’m Sandra Dee…”

What happened next was an anthology wrapped around a house and the holidays – different holidays and a single house as the centerpiece. We get to experience Father’s Day, Christmas, birthdays, Halloween, and so on and so forth. (We also get to experience the joys of house browsing!) As with most anthologies, certain pieces were better than others. My favorite story featured the girl above, a salesman, and Thanksgiving. It was incredibly atmospheric which helped lift it from the “oh yeah, I have a pretty good idea of how this ends” doldrums. The Christmas piece ended up being fairly good as well with its fun ending and an actress who was able to carry ~10 minutes of screentime alone (and mostly in silence). The downside was that this piece was much too long. I understand the time needed to build tension, to make the audience realize that something isn’t quite right, but it can be done in less time than this. (Also, my god, the freaking carols and Christmas music!!! BLEHCK. I hate this holiday so much.)

Overall though? First and foremost, VOLUMES OF BLOOD: HORROR STORIES reminded me WAY too much of THE PERFECT HOUSE, which is also an anthology tied around a house in which a real estate agent is showing a young couple around. Secondly, it was much less cohesive than the first. This story didn’t flow as smoothly as the first did; didn’t tie together as well; didn’t make as much sense. Especially the ending. I still don’t know who the killer is or where he’s from or why he suddenly popped up and decided to kill every citizen of Owensboro. I also am unsure why there are now unseen forces (or people) seemingly commanding him to kill (not like voices in his head but legit “hey that’s an order!” commanding way). Maybe it’s all just meant to entice in case there’s a third film? I dunno, but I was not impressed. Thirdly, this sequel just wasn’t as much FUN as the first was. This film was really lacking the joy of the first (I know that sounds weird – joy in a horror flick? – but hear me out). The first film was clearly such a product of love and devotion and people were so obviously having a blast that it made the energy of the film into that too (despite the blood and gore ;)).

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“It’s jelly, I swear!”

VOLUMES OF BLOOD II was definitely better LOOKING than the first – it looks like they had a larger budget this time around – but it was lacking. It was missing that joie de vivre and indie spirit, for whatever reason. It also didn’t stick together as well as the original – this one very much showed us that it had been stirred with several hands in the mixing bowl and it made for some lumpy spots.

Is it ultimately worth a watch? Yes. There are the couple of stories that are really enjoyable; there’s a nod to TRICK’R’TREAT (my favoritest anthology series EVER); and there are lots of gooey messes and intestinal effects that are all practical and not CGI. (Big props for the makeup team and fx guys! You guys are wicked awesome!) And, of course, if you’re a fan of the slasher genre, you may totally dig on this. Check out the trailer on the Facebook page and let me know what you think!

Guess Who’s Back? Back Again?

Shady’s back – tell a friend! *dance break* Oops, sorry, got a little excited there for a minute…Anyway, I’m back (for today at least. and later this week. then hopefully forever and ever and ever like that creepy clowndoll you can’t get rid of but being ill makes life rarely go as planned, so we’ll see. right? 😉 ) WHY am I here? To let y’all know that the Portland Film Fest is back!!

Remember AIMY IN A CAGE from last year? The mind-blowingly, amazingly, freakishly, insanely beautiful love child of John Waters and Marc Caro/Jean-Pierre Jeunet (that is currently on Amazon Prime – hint, hint, nudge, nudge)? It was one of the AMAZING pieces from last year’s festival and this year’s line-up promises to be just as interesting! I’ll be covering the festival and reviewing films from it for the next couple of weeks, and there’s just so much diversity going on here – there are films on pinball wizards; accountants dying to be stand-up comedians; Ovarian Psycos; pot growers; guys with allergies to the sun; haunted Mediterranean islands; politically-conscious indie musicals (YES!!!); family dramas; goat farming; gang life vs. street fashion; superstar role models; and MORE…*deep breath* Whew, that’s a lot of film! Obviously, I can’t get to them all, but I’ll be getting to as many films as I can. If you’re IN Portland, however, I HIGHLY suggest you go watch these beauts for yourself!


Poster - Courtesy of Portland Film Festival 2016-page-001

The fourth annual Portland Film Festival will take place August 29 – September 5, 2016, at Portland’s iconic Laurelhurst Theater, and will include over 20 educational panels & forums, 12 archival presentations, and many parties, events, and industry networking opportunities throughout the week. Established in 2013, the Portland Film Festival is one of Oregon’s largest film festivals, and was named “one of the coolest film festivals in the world,” by MovieMaker Magazine. This year, the festival has programmed a near equal balance of films from men and women, furthering the festival’s commitment to supporting diverse voices and visions.

“This year’s screenings, panels, and programs are an exciting cross-section of icons of classic cinema, engaging new filmmakers, and the best of modern indie film. We’re truly proud to bring this year’s eclectic program to local audiences. We’re also thrilled that, for the first time, all of our films will screen at Portland’s historic Laurelhurst Theatre. This year’s festival will be a not-to- be-missed event,” said Josh Leake, Portland Film Festival Founder and Executive Director.

The festival will present two opening and closing night films (a documentary and a narrative film on each night) and feature films in the following sections: Narrative Competition Feature, Documentary Competition Feature, Narrative Spotlight, Stranger Than Fiction, Tribute: Visionaries, and Milestones. New this year, the festival has created a section to screen classic films from the 70’s and 80’s, and will also be honoring two iconic writers, Chuck Palahniuk (Fight Club, Choke) and William F. Nolan (Logan’s Run).

Visit their site for full deets and list of films!

Here Lies Joe

Here Lies Joe

TW: Talk of Suicide

I love this film. I love everything about it. It’s an absolutely brilliant story about suicide (although as stated above definite trigger warnings if you’re currently depressed or feeling suicidal). Not everyone’s been there but a lot of us have – that point where you just want to give up on everything. It’s a scary point. But then, if you’re lucky, you’re able to pull yourself out of that deep, dark hole with the help of friends, family, therapy, meds, and mostly yourself. What happens when you can’t leave that place? What’s it like to have an addiction to suicide & death?

“Suicidal ideation: unusual preoccupation with suicide.” In Here Lies Joe, we meet two individuals at a Suicide Anonymous group – a group for individuals dealing with suicidal ideation. Joe is the new guy while Z is the manic-pixie dream girl of the group. Z writes her suicide notes in iambic pentameter instead of trying to NOT want to die; Joe just seems out of place and unsure of why he’s there or anywhere. The two seem to sense kindred souls in one another and Z manages to finagle a ride from the meeting with Joe. Instead of taking him to her home, she takes him to the cemetery instead, where they spend the afternoon. And later that night they spend hours on the phone together, bonding, each lost in their own way. What will morning bring?

Here Lies Joe

As someone who has a mental illness of which suicidal ideation is a key symptom, this film really touched a chord. It was incredibly honest and open. The characters were real and tangible, relatable. Z says she wants to kill herself because she’s “an ugly thing in a beautiful world”, a statement which is so honest and heartrendingly easy to understand. This film is utterly beautiful. And while it is a film with dark elements and themes, they explore them with humor and pathos to arrive at the film’s ultimate message: hope.

While Dean Temple as “Joe” gives a wonderful and sturdy performance, it’s Andi Morrow as “Z” who steals the show (and your breath) away. Her performance is raw and something magical to behold.

I can’t recommend Here Lies Joe highly enough. Visit the film’s website to find out where you can catch it. And remember that there’s ALWAYS hope.

National Suicide Prevention Hotline: 1-800-273-8255

Counseling: Episode 2 – Creativity

After last week’s spot of “teamwork”, can the boys handle a bit of creativity?

 

Volumes of Blood II

Remember Volumes of Blood? Remember how much I loved it? Well, P.j. and the gang are back for Round 2 and if you’re so willing, they’d love your help. They have an Indiegogo campaign up right now full of fun perks so if you have a couple of extra dollars and love indie horror, head on over and give ’em a hand!

The Second Coming: Brought To You In Low Definition

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So the cool thing about The Second Coming: Brought To You In Low Definition is that it was filmed on VHS, resulting in an interesting vintage look and feel to the film (like do you remember the quality of VHS?? So spotty!). Unfortunately, that’s really the only good thing I can say about this one. I have absolutely no idea what the point of this film was.

I mean, the tagline reads: “Two 20 some-things, Halibar & Peggy, meet and bond trying to find the owner of a lost cat.”, and this is true…I guess…They DO meet when Halibar finds a lost stuffed animal in the shape of the kitten that he spends some time talking with and whom Peggy helps him return to it’s owner. Whether this stuffed animal is supposed to be a “live actual cat”, I don’t know. They certainly treat it as such. After returning the stuffed animal to it’s owner though, nothing happens except a whole lot of boredom and really uncomfortably strange bits that go on too long. You know what, let’s go back to the beginning…

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When a film opens with two people pissing on each other in a non-erotic way whilst taking a bath together, it’s probably a good sign that the film you’re about to watch is not going to be up there in the best of the best category. When the same film continues on so that one of your main characters gets constipated, decides his “poos are like his babies” and then talks to them while on the toilet, it’s definitely a sign that you’re in iffy territory. When said film has no plot and is absolutely non-linear, just random moments, it doesn’t necessarily mean that it’s on the “not so wonderful” end of the spectrum…except in this case where it does. Random moments are awesome. Random moments where a grown man hugs a child he doesn’t know for 5 minutes straight in silence; decides he’s Jesus and dances in his underwear to remixed gospel music for 5+ minutes (including pole dancing whilst wearing socks and sandals); decides he’s the next Hitler and pens a second Mein Kampf; and is obsessed with his bowels? Really, really not so awesome.

A big part of the problem here was that each of these bits went on for WAY too long – like that dying sketch on SNL that just won’t end. You think you’re “sexy Jesus”? Fabulous. I don’t need to watch you dance in your underwear for more than 5+ minutes though especially when there’s no point to it. Which is the main problem I have with this film – there’s no point. Nothing happens. No one evolves. Two people get together but it’s not an actual relationship, more of someone taking care of a child. Nothing moves forward (or sideways or anyways). It’s just two people (but mainly one guy) acting like a very annoying, whiny man-child with delusions of grandeur. It’s not experimental. It’s not avant-garde. It’s not artsy. It’s not ANYTHING. And therein lies the problem.

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This scene happened approximately 8 times and lasted 5 minutes each time…


While very cool with the filming on the VHS, there were still issues with the cinematography – long shots that didn’t match with close-ups, too many uncreative camera angles – it was stagnant. I wish I could say more about this film, better things about this film, but I really can’t. I love that someone had the passion to create a film in the first place; it’s hard work, I know. I think the writer/director here would benefit greatly from a bit more mentoring and learning, and I think it would be interesting to see what he brings in the future.

But yeah…

The Enemy

The Enemy

“For never was a story of more woe, than this of Juliet and her Romeo.” Romeo & Juliet, Act 5, scene iii

What would’ve happened had Romeo & Juliet NOT died at the end of Romeo + Juliet? That’s the question upcoming film, The Enemy  tries to answer. In this world, Romeo and Juliet are alive. For eighteen years and nine months, less a day, the star-crossed lovers have lived in exile far from Verona. Now their hiding place is known, and their epic warring families are out for blood. The safe life Romeo and Juliet have built belongs to the past, and the greatest love story ever told is about to be reborn. OUR question then, is does The Enemy successfully take one of the greatest love stories ever told and expand upon it, making it better? The answer, unfortunately, is not necessarily so.

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R&J, 2gether 4-ever

We open upon Romeo & Juliet bitterly fighting and being interviewed by the cops about causing a domestic disturbance. R&J continue to fight and argue throughout the film – getting married at 13 and 14 definitely has it’s drawbacks, it seems…However, this night they’re also celebrating the 18th birthday of their daughter., Kate Yep, R&J had a kid (pretty much immediately too). Kate shows up for dinner with a man in tow, Theo, which Juliet is none too pleased about. In fact, Kate and Juliet really don’t get along that well. Like, AT ALL. The rest of the evening becomes Romeo & Juliet retelling their love story, one Kate truly never knew, while Kate tries to build HER love story, all while everyone from their past in Verona decides to descend upon the house in one night (Paris, Balthazar, and more).

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Invasion of the…Veronians?

Every actor in this film is absolutely wonderful. From Paris and his sing-song narration to Juliet’s vitriol, they are fucking fabulous. My problem here is a matter of choice of casting, I guess, in that several characters do NOT look age appropriate. Kate is supposed to be 18 but looks MUCH older. Paris had a line about them all being children back when R&J ran away (and we already know R&J were 13 and 14) but he looks like he’s in his late 40s. Just, everyone in this film looks to be in the 30s to 40s age range, and it doesn’t work. ESPECIALLY Kate. Her not looking anywhere near 18 took me out of the film so much.

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This is Kate. Kate is 18.

I enjoyed the sense of being a fly on the wall in the way the movie was filmed. It was fun and intriguing and I really felt like I was watching these people in their every day lives. Unfortunately, over a quarter of the film involved night or dark scenes that were TOO dark and I couldn’t see what was happening. I didn’t even see Paris’ face until the very, very end and he was in the movie from the very beginning. So, the lit scenes are great; the dark scenes could really use a bit more light.

The dialogue was a lot of fun in places because they kept to the use of iambic pentameter a lot, particularly in Paris’ narration (yay!!), and there were lots of plays upon words (I’m a language nerd. Totes). If you’re anything like me in that regard or if you just love Shakespeare as much as I do (and I carry his complete works in my car at all times), then you’ll definitely dig that. Things did get a bit boring, however. It felt like the film was aimed at people who’d never seen or read Romeo & Juliet before because they seriously did go through that story. It wasn’t just a matter of  – “oh, this is how I met your mother!” –  it was a long drawn out flowery murderous tale (you know, basically the play but in conversation form). It didn’t leave much room for The Enemy to have it’s own story and what story it did have was almost a re-telling. So they retold the story via R&J, then they retold the story AGAIN via characters & action.

The Enemy started out strong but it lost its way. The idea of Romeo & Juliet having escaped with their lives and building a life elsewhere is truly fascinating and I REALLY love it. I just didn’t really love THIS version of it. While it wasn’t really for me, if you do love Shakespeare or language, or a bunch of Italians yelling at each other (made me miss Jersey! *sighs*), then this just might be the film for you. The acting really is excellent; you really do feel like you’re there; it just needs a bit of tightening up perhaps?

The Enemy – Trailer from Turnshoe Film on Vimeo.

Stand Up Guy

Stand Up Guy

Stand Up Guy is a short crime thriller featuring a mafia-like organization (or “Family”, as they’re referred to). With only a handful of characters, the film keeps things nice, neat and concise, which works well in it’s favor, and the script is fairly tight. Things flow quickly with the end being reached before you know it, which is a shame in my opinion, as I could definitely watch more of this world and these characters.

Stand Up Guy starts with a federal agent coming to speak with the head of a Family at his “recording studio” about ratting out other people, then turns to a man freshly out of prison who seems to have a need for revenge with said Family head. The rest of the film is mostly dedicated to Roman (just out of prison guy) and Angelo’s (Family head guy) confrontation, with a small interlude that was there to…I’m actually not entirely sure why it was there. To show us how Angelo operates his business? There were definitely a couple of places where it felt like scenes could have been cut without affecting the Roman/Angelo storyline but doing so would have also left the film incredibly shortened – so I guess those scenes were there as filler. The only other scene like this was the scene with the agent at the beginning. Not having that scene wouldn’t have changed the main plot at all, in my opinion. These scenes neither detracted nor distracted; they just weren’t particularly necessary. I would have enjoyed seeing more about Roman (because he was obviously totes cray!) and finding out who Sarge (Serge??) was. For such a small film, I though both the acting and cinematography were top notch so kudos to the team for that.

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Overall, it was highly enjoyable and I was a little sad to see it end. Go become a part of the Family and watch it, so you don’t end up swimming with the fishes (or something like that…)!

Total Performance

TotalPerformance

Ahhh, now THIS was a film I enjoyed! Total Performance was the total package, y’all. It had the right amount of comedy and drama; the acting was fab and I REALLY dug some of the camerawork, yo. So what’s it about? Well, that’s part of what makes it so fun…

The film is about Cori, an actress, but her main gig is a little bit different. She works for a company that employs actors to play opposite real people who want to rehearse a difficult conversation. A breakup, a firing, or even an embarrassing confession: the company that she works for provides a living, breathing ‘sparring dummy’ for their clients. Essentially, she gets paid to go around fighting with people. It’s awesome. There are some obvious pitfalls, of course, like with ANY job, but for reals, how easy is this gig?? We see Cori on a few jobs…we see her on a date…we see her on an actual audition…we see hope in the comedic yet oddly touching and sad ending. The film is under 20 minutes but as time flew by, it felt as if it was only 5 minutes.

Total Performance

I found Tory Berner (Cori) utterly fantastic. Her face is SO expressive and she has this almost wide-eyed naivete about her that’s completely charming. I would watch her in just about anything. My favorite shots were done during the date scene. They weren’t anything fancy but something in them resonated. In fact, I think you’ll find that the whole film resonates as it’s so easily relatable to all.

That said, you should head over to Facebook and give ’em some love, and  to find out where you too can watch this stellar TOTAL PERFORMANCE!

Portland Film Fest About to Hit!

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*This one’s a little long but bear with me guy’s ’cause this festival is totally worth it!*

Okay, if any of y’all are near the Portland area September 1-7, I am going to have to HIGHLY recommend that you hit up the Portland Film Fest. How can this little ole Southern Belle recommend something so far off? Cause I’ve seen the line up and guys, it looks AWESOME. In fact, I’ll be covering festival films right here in the coming days!

It’s not JUST the films though – there’s so much more. There are special tributes to visionaries in certain fields:

1) Will Vinton – Will is receiving a lifetime achievement aware for his innovative contributions to the history of animation. He’s a world renowned Claymation® pioneer and Academy Award winner – you might recognize the name from his legendary stop-motion classic, THE ADVENTURES OF MARK TWAIN (which will be having it’s 30th anniversary screening at the festival along with his Academy Award winning short, CLOSED MONDAYS). I have to admit I’m not totally familiar with the guy but we all know I love my stop-motion animation (mostly in the form of Jan Svankmajer but whatevs) so this sounds pretty cool to me.

2) Wendy Froud – An American doll-artist, creature sculptor, and puppet-maker, Wendy Froud is a profound contributor to the history of pop culture and cinema. She is best known for being a member of the fabrication team of the iconic character Yoda for the 1980 film “Star Wars: The Empire Strikes Back” and also fabricated timeless creatures for the Jim Henson films “The Dark Crystal” and “Labyrinth”. In appreciation of her work, LucasFilms will generously share unique behind the scenes archival images from her Star Wars work, and Wendy will be honored with a lifetime achievement award. GUYS, she helped build Yoda!!! And she worked on LABYRINTH!!! I die. Seriously. I want to go to here SO much.

*sighs* So yeah, not just amazeballs films but ya know, STAR WARS awesomeness too. BUT it is a film fest and the films ARE important and SO many of them look SO good, it was hard to pick out which ones I wanted to see. Here’s some samples from the lineup that I’m excited about!

1) Aimy in a Cage/ U.S. A creative teenage girl is placed into a mind-altering procedure to civilize her, while news of a virus epidemic spreads throughout the world. (Um, YES. Apparently they made a movie about my hometown… 😉 )

Aimy in a Cage, courtesy Portland Film Festival

2) Touched with Fire/ U.S. Two manic depressives meet in a psychiatric hospital and begin a romance that brings out all of the beauty and horror of their condition. (Cannot WAIT to see this. Also Katie Holmes, y’all. Katie Holmes. I don’t care what anyone says, girl is talented, and I for one would really love to see her come back from that whole Cruise debacle.)

Touched With Fire, courtesy Portland Film Festival

3) Audition/ U.S. A romance is portrayed by one hundred actors who compete for two lead roles and a chance to perform the final terrifying scene. (As if I WOULDN’T watch this one…)

Audition, courtesy Portland Film Festival

4) Kings of Kallstadt/ Germany, U.S. A humorous documentary about German small village life and its famous American relatives: Donald Trump and Heinz Ketchup. (Okay, not entirely sure about this one but c’mon…you’ve gotta be a little curious… 😉 )

Kings of Kallstadt, courtesy Portland Film Festival

5) Batkid Begins: The Wish Heard Around The World/ U.S. The Make-A-Wish Foundation and the city of San Francisco join forces to grant a five-year-old boy’s wish to become Batman for a day, drawing worldwide attention. (Remember Batkid??)

Batkid Begins, courtesy Portland Film Festival

6) Dude Bro Party Massacre III/ U.S. A hysterical and bloody twist on 80’s slasher flicks, in which a dorky loner must infiltrate a party-centric fraternity to solve the murder of his twin brother. (Um, do you SEE that title? BEST title in the history of titles EVER. TOTES.)

Dude Bro Party Massacre, courtesy Portland Film Festival

AND…there are a TON more (80 feature films and 134 short films to be exact). But that’s not all! (I know right? You’d need, like, an extra 5 hours a day to fit everything in!) There’s also 75 Master Classes going on (if I was there it would seriously be a dilemma between going to the classes or going to see films, I kid you not, because the classes look really awesome!) so my peeps in the industry, I suggest you get y’alls selves over there. At the least, go take a class for me and then come back and report on it? Please and thank you? 🙂

AND…oh I’ve been saving the best for last…AND on Labor Day…a special all day and night event will set a Guinness Book of World Records for “most extras in a short film”. Director George Cameron Romero, son of iconic horror director George A. Romero, will direct. Award-winning makeup artists will oversee effects for an anticipated cast of thousands. Event will also include a nighttime surprise zombie film screening. You read that correctly, friends, there is indeed a ZOMBIE DAY!!! With a Romero, nonetheless! *squee* STAR WARS and zombies all in the same festival? Be still my heart…*sighs*

Okay, I’ll wrap this up now with a little “About” portion on the Portland Film Festival and links for the schedule and tix, but in all seriousness – somebody go take pictures of stuff for me!!! 😉 If you do go, have an absolute blast and please do come back to this post and tell us all about it because we’d love to hear. And for those not in the area, never fear, you’ll be catching part of the lineup right here at CinemaSchminema. It’s gonna be fun, guys. Mwah!

About:

“Established in 2013, The Portland Film Festival is Oregon’s largest film festival, and was named “one of the coolest film festivals in the world,” by MovieMaker Magazine in 2014. It is a non-profit, year round organization dedicated to nurturing filmmakers and audiences, and to celebrating the power of a good story. The festival focuses on the people, ideas, technology, skills and artistry behind filmmaking and provides both entertaining and educational opportunities for the public.

Screenings take place across the city at seven venues, including some of the oldest historic theaters in Oregon, and includes outdoor screenings as well – offering its filmmakers some of the largest audiences available on the West Coast.

Previous and current festival partners include the City of Portland, Portland Parks & Recreation, Women in Film, Oregon Media Production Association (OMPA), Willamette Writers, SAG Aftra (Actor’s Guild/Union), Oregon Governor’s Office of Film (Oregon Film), I.A.T.S.E. (Film Union), Directed by Women, Digital Media Communications Department at Clackamas Community College and others.

Although the festival began in 2013, its history goes back to 2009, when the Portland Film Club was founded as a film club to bring film lovers together to view and discuss films. The club now boasts over 2300 members and is one of the largest movie clubs on the west coast. It screens typically one movie a week including new and independent features.”