Category Archives: Sci-Fi
Opened on March 1st, 2050, which stars an ensemble cast that includes Dean Cain (Supergirl, Lois & Clark), has been playing on just one single screen (AMC Atlantic Times Square 14) in Los Angeles. By Sunday, the film’s ticket sales were rivaling studio releases and Oscar-nominated films including Tyler Perry’s Madea, Greta, and How to Train Your Dragon, and on Sunday, outside of the latter film, 2050 had outperformed them all. AMC wasted no time and immediately held the film over until at least the 14th of March. The film will open in Baltimore at AMC’s Owings Mills 17 on March 15th.
Said executive producer Henry Hewes, “By Sunday we beat all of the big guys. At one point, the theater told us we were neck and neck with How to Train Your Dragon on Sunday night. That’s just crazy.”
2050, is about a family man struggling to hold it all together who discovers a warehouse that may hold the solution…sexbots. Premiering at sci-fi film festivals around the world including Berlin, Austin, and Boston, the film has taken home over 11 awards.
2050, distributed theatrically by ANERKE, will expand into other major markets over the spring via theater chains that include AMC and others.
Hmmm…color me intrigued. Also, hello, Dean Cain – fancy meeting you here!
Ahh, September is such a crazy month! Pretty much EVERYONE I know has a birthday this month (including my beautiful and amazing niece, who turned 7!), so things get busy. And TODAY is actually MY b-day, so I’m here to ask any & all my lovely buds in the Portland area for a birthday gift (that honestly is more a gift to YOU!).
Remember the kickawesome, amazeballs, “OMG WTF?”, swoon-worthy, “everything is magical” movie NEIL STRYKER & THE TYRANT OF TIME from the Portland Film Fest? The one I fell in love with (and the one where I fell in love with Darrel Freeway ;))? WELL, guess what? Turns out, there is ONE MORE showing TOMORROW, Friday, September 23rd of NEIL STRYKER, in Portland, at Clinton Street Theater, at 8PM, with the Oregon Independent Film Festival! (That was A LOT of commas…) So if you love me – if you love movies – if you love yourself – you’ll get thee to the Clinton Street Theater tomorrow at 8PM, if you’re within, say…a 60 mile radius? 🙂 You WON’T regret it. (C’mon, I would never steer you guys wrong. Right, E?? ;)) Get your tickets HERE, then get your asses in those seats, and prepare to *giggle* said asses off.
And thank you in advance for making me a very, very happy birthday girl. 🙂 (If you do go watch, come back and share your review because I really wanna *squee* with people over this one!)
You guys rock. ❤
What madcap, steampunk, nonsensical adventure was this?? NEIL STRYKER & THE TYRANT OF TIME is like DOCTOR WHO on crack (and we all know that DOCTOR WHO is already on something, so hot damn!) and the result is absolutely GLORIOUS. Like, hi, move over Indiana Jones, a new action hero has stolen my heart – and he’s ridiculously emotionless, gravelly voiced and entirely capable of handling himself around robots (because YES, THERE ARE ROBOTS IN THIS MOVIE!!!). (And yes, I WILL apparently be using my caps lock key a lot.)
So Neil Stryker is a dude, on suspension from his job as…okay, I never really understood exactly what he did but kind of like the military + secret government operation + spies thing? Unfortunately for the world, Neil’s ex-mentor, the MAD scientist – complete with white lab coat, crazy sticky-uppy hair and crazy goggle glasses – has finally set in motion his dastardly plan to go back in time through the time portal he created to…steal a bunch of toys on Christmas Eve and have THE SEX (as E. would say) with Mrs. Claus! NOOOOO!!! Along the way, the mad scientist also kidnaps Neil’s son, so there’s that. Also the mad scientist is MAAADDDDD, which just leads to all sorts of shenanigans and tom-foolery. Oh, and he has a sidekick (of course) named Darrel who’s robotically challenged, musically inclined, and sneaky planning his own…uh, sneaky plan. 😉 Darrel is actually my favorite character of the whole piece (sorry, Neil! I love you but I love Darrel more because he sings!), which makes sense, because his vibe is the epitome of “bad boy”, which media and society has conditioned women to view as totally normal and moreso, absolutely romantic (“omg, he got so mad he punched a wall? That’s soooo romantic – look how passionate he is about you! *sighs*” *rolls eyes so hard they fall out of head*). Anyway, despite his bad boy vibe, Darrel is more cartoon villain than romantic villain (think Dr. Horrible), so whatever, I dig him.
In fact, the whole movie is a cartoon come to life, with over-the-top…well, EVERYTHING. It’s a complete and total farce, and it’s AMAZING. Guys, there’s cars that fly! Robots! Goblins!! (I honestly have no idea WHY there were goblins, got totally lost there, but dudes – goblins!!- and they were adorable and evil and so cute, and then there was the Russian guy and the vodka…like The Fireys in LABYRINTH! Kinda…). There’s time travel! Souvenirs! Explosions! HEADS exploding! This movie has it ALL. It’s an 80s throwback that hits its mark perfectly.
In fact, those super kickawesome, evil, adorable goblins? Looked like they were right out of the Henson labs. They were brilliant. This film was shot entirely in Oregon and parts of Washington over the course of 9 years, and every single set, effect, every puppet was created by a Portland artist. Now THAT is what I like to see in homegrown cinema. Especially when the result is something as laugh out loud funny and enjoyable as this.
The sets were kick ass. The small amount of CGI was almost perfect (the explosions were a little off and fake looking, but they also might have been that way on purpose to fit the 80s theme, I’m not sure). The costumes were fabulous. The actors – ugh, I don’t think there was anyone in this films that I DIDN’T like and that rarely happens. Nic Costa (Darrel) captures the “sidekick craving more” trope perfectly. Rob Taylor as Neil Stryker is hilariously apathetic as the hero (anti-hero?) of the piece. And Rob Taylor as the Mad Scientist is ridiculously funny at being woefully inept. Oh yes, you did read that correctly – Neil and MS were played by the same guy – and I had NO freaking clue till the end of the movie when the credits came around! Not one inkling. Holy fuck, I loved this movie.
Currently playing at the Portland Film Fest, NEIL STRYKER & THE TYRANT OF TIME is a side-splittingly funny piece of comedy that had me alternately shaking my head at the melodrama, then giggling uncontrollably. With a bit of everything, it’s a madcap adventure of the very best kind – and there damn well better be a sequel in the making. I’m willing to follow Neil Stryker through the universe and time, so c’mon guys, let’s get to more adventuring!
Oh yeah, and watch the trailer below to get a taste of the wacky wildness that is Neil Stryker!
Tag Line: It finds the bug in you…
Guys. *pssst* Hey, guys! I have a secret. Know what it is? That this movie is f*cking awesome! (What? If you didn’t know, then it counts as a secret…) This is, hands down, one of my new favorite movies. Not gonna lie – I wasn’t a fan of the ending but it doesn’t detract THAT much from the “WHAAA-?” factor going on here.
So ya know how we live in the age of “Big Brother” (hello, 1984!)? Drones, people listening in on phone calls, Facebook messenger needing access to our birth certificate to work kinda stuff? That’s what this is about. Except what if “Big Brother” isn’t a person (or group of people) but rather…dun, dun, dun…a NIGHTMARE CODE???
“Nightmare Code” is a psychological sci-fi thriller about computerized behavior recognition, behavior modification and 24/7 surveillance.Our main guy, Brett, is this wicked hacker who’s also a whistleblower, who’s in a heck of a lot of trouble, who gets recruited to work on this super secret project that needs to be finished STAT. It’s called ROPER and it’s an all-seeing behavior recognition program (think Minority Report – the TV show at least, I haven’t seen that movie) intended to predict future behavior. Brett got recruited super fast for this project. Why? Oh, just because the last lead programmer went on a murder/suicide spree. Yeah, no big. Cotton was his name and he was apparently a genius – a MAD genius, mwhahaha. Now Brett’s holed up in this office building (seriously, he can’t leave for some reason, not even to get lunch apparently? Weird…TOTES) with a super small team of 4 other people trying to race against time to get this baby done. His only contact with the outside world is via video chats with his wife & daughter and his programming counterpart in India. Fun job, eh? One small, itsy bitsy problem though…the code he’s working on? It’s kind of alive. Yeah.
That’s right, the big bad of our thriller is computer code! You’re sitting there going, that doesn’t sound scary or thrilling at ALL. NO. You just watch the movie because ROPER is freaking terrifying. It’s like “Robopacolypse” terrifying. The entire movie is told from the viewpoint of the CODE. Yep, it’s the first movie told from the view of artificial intelligence. This ended up being a small problem for me at times, actually, because this involved a lot of security camera footage being shown on 4 split screens at a time. There was way too much going on for me to concentrate when different things were happening on those screens so I don’t know if I missed anything important. Otherwise, it’s wicked cool watching our protagonist, Brett (Andrew J. West), slowly lose his mind while unwittingly (at first) battling this entity.
As I said before, I wasn’t a fan of the ending. It was entirely too expected; it was exactly what you knew was going to happen. I spent the last half of the film praying it WOULDN’T happen but to no avail. It doesn’t take away from the overall kickaewsomeness of “Nightmare Code” but a less archetypal ending would’ve set this film so much further apart from other sci-fi thrillers than it already is.
Guys, this is some good, clean fun right here (and by “good, clean” I obviously mean blood + sexy naked time), and y’all need to get your asses in gear and go watch “Nightmare Code” NOW. Remember, I’ll know if you don’t, because someone’s always watching… 😉
WOW. Yeah. Okay. So. Um…AIMY IN A CAGE is basically the love child of John Waters and Marc Caro/Jean-Pierre Jeunet (DELICATESSEN, THE CITY OF LOST CHILDREN). That is the best way I know to describe this film. As the credits rolled, I just sat there, staring into space, asking myself, “What the f*ck did I just watch?” – but asking myself in the best way possible. Because this movie is mind-blowingly, amazingly, freakishly, insanely beautiful. In a really, really, really twisted way (and is there any better way?).
Summary – “A creative teenage girl is placed into a mind-altering procedure to civilise her, while news of a virus epidemic spreads throughout the world.” We might be in the future; we might be in the past – who the hell knows? Wherever we are, we have Aimy – a whimsical wisp of a girl who doesn’t exactly fit in with her family. Or society. Or anywhere. She likes to dance and they like money. She likes art and they like boring conversation. Honestly, it’s a bit more f*cked up than that but I just do NOT know how to describe it…Aimy is that one rare soul who isn’t a carbon copy of the materialistic, dull as dishwater, ORDINARY people around her. However, Aimy also isn’t necessarily likable. Not hateable but not entirely likable. But then NO ONE in this film is necessarily likable so perhaps that’s the one way Aimy IS similar to her surroundings?
Anyway, apparently there are (or were?) a few other people like Aimy (or EVERYONE used to be like Aimy) because there’s a procedure you can have done so that you too can be a mindless, materialistic robot! Yay! Aimy is forced into this procedure, which looks a little like this:
Aimy is all kinds of hardcore though so the procedure doesn’t exactly take the first time and is done again – this time with some…modifications in the form of psychological torture. Oh, and while this is all going on, there’s a virus making it’s way through the country that nobody seems particularly worried about (until they ARE worried about it). If this all sounds confusing, well, that’s because it is. But when you actually SEE it, it will all make sense. Plus you’ll get the many layers of the film (obvis it’s not REALLY about some chick in a head cage).
The only thing that bothered me about this film was all the SCREAMING. Holy wow, no one in this film can communicate in any other way except screaming. And it didn’t bother me in the way you might think – it bothered me because with the force/intensity/volume these actors were screaming, I just kept wondering how many times they lost their voices and had to halt filming. Did they have an every other day schedule? Realistically, how long can one scream like that without going hoarse? Do you see what I mean? I kept wandering away from the movie to wonder about the consequences of long-term screaming, lol. So be forewarned – do NOT have your volume turned up for this one or your eardrums will be BLOWN.
So yeah. Kinda (totally) dug this film. Wickedly brilliant, beautiful in a most f*cked up way and right up there with some of my favorite filmmakers (mentioned wayyyy up there in the first paragraph), AIMY IN A CAGE is a wild ride you should DEFINITELY take.