Category Archives: Horror
If I’ve said it once, I’ve said it a million times – unless you want to be brutally murdered or horribly violated, don’t go summoning demons, y’all. Unfortunately, the peeps in Soul to Keep did NOT heed this advice so sucks to be them. Well, until it doesn’t so much?
Two siblings invite friends to their inherited, remote country home, but the fun stops when the group summons a demonic force from an old spellbook.
A complete list of my thoughts throughout this movie:
- Oi, why is this opening sequence with demonic photos so freaking long. Like, I GET it – demons.
- I really like the fact there’s a deaf character and everyone uses sign. New element to a tale as old as time.
- Of course one guy is a vlogger. What would demonic summoning be without video evidence?
- Pop-Pop kept his basement locked always – nothing suspicious there.
- Is Thumper a real game?
- Oh snap, child giggling. Yes, let’s follow the sound of random little girl giggling. I’m sure that will end well for you.
- Wait, it was a vision?
- Blah, blah, drinking, drugs, dancing, sex, blah.
- I can’t keep track of the relationships here. Dark Wiccan is dating Steroid Addict Baseball Player but likes Mousy Girl? And I think there’s a brother/sister somewhere?
- Creepy shadows, non-existent little girl praying, and Mousy Girl doing the Dean Winchester-patented “one tear” thing because…?
- Oops, power’s gone out.
- Yay, let’s go to the scary basement in the dark!
- Ooohhh, secret room in the basement with blood and demon summoning stuffs. Oh, Pop-Pop. Whatever were you up to down here?
- Dark Wiccan girl: Dude, look a grimoire to summon Beelzebub AND a way to summon his legions! This is, like, super bad. Everybody else: We should totes do it!
- Somebody has to be the vessel for the demon to possess. Sounds reasonable. I bet it’s super safe.
- So, they just half-assed the spell and everybody quit, but it seems Dark Wiccan girl is gonna do it all on her own. If she’s possessed, who’s going to do the reversal spell?? Does anyone else even speak Latin and/or the made-up language of Beezie?
- Hey, demon! Bye, Dark Wiccan girl!
- Why has no one noticed Dark Wiccan turning in circles for the past 5 minutes looking like she’s about to scream? Like, how wasted are they?
- Aw, demon has the munchies. That’s cute. Pouring pancake syrup directly into one’s mouth is just gross though.
- Is Beezie just gonna seduce everyone to death?
- Breathplay apparently makes Freddy the vlogger go off in two seconds.
- Arrggh, finally, some real demon action. Beezie just needed to get off too and since the boys are two-pump chumps, masturbation it was.
- There’s a whole thing with a balloon being able to help Tara, the deaf girl, feel the vibrations of the music – it seems it enables her to “hear” the demon shoving a tentacle (???) down Freddy’s throat too.
- Freddy’s not dead, that’s nice. Just possessed.
- Why does no one ever summon demons sober? Like, these guys are way too fucking wasted to deal with this shit.
- Jesus, demons are horny bastards. Beezie is a prince of hell not a bloody succubus, you guys!
- Demons were too busy fucking to kill anyone last night, so now the un-possessed peeps get to deal with this hungover instead of wasted. I guess that’s an improvement…
- Aw, barely mentioned chick got tentacled whilst meditating.
- Fina-fucking-ly, Beezie is getting started. She just bit baseball player’s ear off.
- Dark Wiccan girl’s boyfriend is a fucking tool, man.
- Oopsie, exorcism didn’t work.
- Wait, why can demons not open locked doors? What kind of nonsense is that?
- So, not only do the cars not work, but there’s an invisible barrier around the whole land the home’s on.
- Demon astral projection. Sweet.
- Yay, douche-boy has been tentacled.
- Oh, yeah. Preparing for war – rifles & sleeping potions cooked up by DJ the druggie. I’m positive this will be highly successful.
- Deaf Girl’s boyfriend is Mousy Girl’s brother and he’s decided it’s a grand idea to go face Beezie in the basement alone. Obvs, he got tentacled within a whole 3 seconds.
- The sister, Mousy Girl, has been behind it the whole time? When did she make a deal?? Oohhhh, she killed Pop-Pop all those years ago?? Because she wanted Dark Wiccan girl? Wow, sis is sneaky.
- That’s right! There WAS a random mention of sis getting locked in the basement once when she was a kid. So, she got possessed by Beezie then? Partially possessed? And Beezie made her fall in love with Dark Wiccan girl b/c Beezie loved Dark Wiccan girl? (Apparently, Mousy & DW have been friends for life.) This is so confusing.
- Seriously, guys, this is why it’s a bad idea to make deals with demons. You just can’t trust the bastards.
- Oh no! Big bad demon found me in the barn, guess I’ll run to the basement of the barn to hide then. They’ll never find me there!
- Oh dear, sis just got killed via fingers in the eyes.
- Go Deaf Girl with the photographic memory!
- Wait, is everybody actually alive then? Sweet.
- Uh-oh. Looks like Dark Wiccan girl might still be just a tad possessed. I bet it’ll all be okay though. Totes.
In summary and conclusion, this isn’t the worst “20-somethings summon demons in cabin for fun – click here to find out more!” movie in the world. The addition of sign language to the movie and a character who can’t bloody hear when demons attack was highly enjoyable (her being the Final Girl was great, too). The twist at the end with the “extra backstory now available!” was interesting, if kind of ultimately confusing. And though the entire movie hinted at Mousy Girl being shady, I didn’t realize she’d been having a decades long affair with a Prince of Hell to win the hand of her childhood friend or what the fuck ever. So, yeah. If demon summoning is your thing, totes worth a watch!
So. I thought I was getting a ghost story with this one, but, uh, no…not quite. What I DID get was a super hot mess that was boring AF. When did Netflix become the home of terrible horror? On the one hand, I’m “yay!” because I’m pretty much always down for terrible horror. On the other, I’ve yet to find the GOOD kind of terrible horror so I am very sad about Netflix’s life choices. 😦 Anyway, back to the terrible terribleness of this.
This one involves an old slaughterhouse turned into lofts, a creepy kid, lots of former murders, and secrets (that aren’t exactly secrets, but the people in the movie seem to think so, so whatever). Welcome to the slaughterhouse, where the owner killed a bunch of employees or something? They weren’t super clear on this, but I think he just kidnapped and killed employees for 80 billion years before someone finally caught on. Then he threw himself out a window at the top of the building, trying to take his son with him. Fun stuff!
Years later, a couple with a kindergarten-age daughter turns the slaughterhouse into fancy-schmancy, state-of-the-art, high-tech lofts. It’s all very happy-making. Approximately 4 people move into these lofts – people who appear to have no jobs and spend most of their time either working out in the gym, making eyes at each other or researching old murders. Lucky bastards. The couple’s daughter is kind of a brat and gets kicked out of kindergarten (who knew that was a thing?), so ends up being at the lofts 24/7. She starts running around with an “imaginary” friend who likes to hang out in the TVs and destroy her artwork. What a jerk. Her father – one of the designers – has crazy migraines all the time and starts acting weird. Her mom is just, “WTF’ing?” all over the place. And then there’s a tenant whose father worked at the slaughterhouse back in the day; his father died when he was a kid, but the tenant doesn’t know if he was murdered there (I guess b/c the police really sucked at their jobs??).
It’s all very, very boring and very, very slow. Then comes the “twist”, which isn’t really a twist because they kinda told you in the first 5 minutes what happened – they just “explain” it – and it makes NO sense whatsoever, and frankly, I wanted to jump out the damn window myself by the end. Seriously. Murder & mayhem & imaginary asshole kids should be FUN. WTF, CHARNEL HOUSE? I am giving you my disappointed face.
If you like torture, you’ll love THE CHARNEL HOUSE. If you like fun & happiness, you’ll hate it (as you should). 0/10, do not recommend.
In this, the year of our lord 2019, I would really, really, really like for horror movies to be better. And from what I hear, some recent ones actually are better, but MALEVOLENT is not one of those horror movies. Nope, it is instead a literal paint-by-numbers, “ah, yes, I know what’s going to happen after 10 minutes”, “oh, right, I remember this from movie X” kind of flick. Which, admittedly, is sometimes what one is looking for, but dammit, I so was not and I am grrr-bunnies. *sad-face* MALEVOLENT is a Netflix film, so I knew the risks inherent going in, but gah. I know Netflix can do better than this ghost story/slasher/serial killer hybrid monster.
So, the movie throws us into the action immediately, which is fun – no boring buildups or get to know the one-dimensional characters bullshit. This is something of which I def approve. We’ve got a brother & sister going to Uni in Glasgow in 1986 (I’m really not sure why the year was an important factor; this literally could have been any point in time. The only explanation I have for them making sure to tell us the year is so the characters won’t have cell phones to call for help.) Anyway, brother and sister – Jackson & Angela – and their friends/significant others, Beth & Elliot, run a fake paranormal investigation/ghostbusting service to make extra money (or in Jackson’s case to pay off scary mobster guys for reasons unknown). They go to people’s houses and Angela pretends to have the psychic touch while the others videotape the encounter, smooth-talk the people they’re conning, and fake voices, etc. with tape recorders. People praise them as heroic wonders, and they’re apparently making big bucks (but not enough to pay off the pimps or whoever Jackson owes). No harm, no foul, right? (Except for Jackson when the drug dealer dudes try to smash his face in.)
BUT apparently, Jackson & Angela’s mum actually was psychic. No one believed her, though, and it drove her crazy eventually, and she killed herself. Jackson is still super pissed about all that (understandable) but it’s turned him into an abusive dick to his sister (not understandable & totally not cool, and honestly, the entire movie I was waiting for her to punch him in the face. She never did though and I was very sad. Again.) After the first case we see them do at the beginning of the film, Angela suddenly finds herself…seeing things and hearing voices! *gasps* The fake psychic has become a real psychic (ghost-seer?). Clearly, Angela can’t tell anyone about this though because it would, like, totally ruin the fakeness of their con which would be tragic.
The next case they get is one Angela desperately does NOT want to do because it’s at some freaky murder house where a bunch of little girls were serial killed. If I could suddenly see dead people, I’d probably ixnay that one too. But Jackson is an asshole, and he & Beth are going to be dead people themselves if he doesn’t pay back the Scottish mafia or whatever, so he tells Angela to suck it up because they are so totes doing this. I really hate him. Soooo, it’s off to the murder house they go! Huzzah! And, surprise, surprise, there are a bunch of dead little girls trying to tell them something, everything goes horribly, and people die. The End.
Questions I have about this film:
- Why was the part with the loan shark/mafia/pimps necessary? It was pretty pointless as a way to get Jackson to take the job Angela didn’t want because Jackson is a little bitch and would’ve taken the job anyway, duh. Adding in that 2-minute scene where he gets bashed in the face with a pipe, while satisfying, was absolutely unneeded.
- Why exactly is Jackson an abusive bastard to his sister? Being devastated by the loss of his mom would be one thing but treating his sister like dirt, peppered with the “you know I love you, right? You’re so awesome” – like, literal textbook definition of abuse – is totally another. How are these things even correlated? Did mom like Angela better? Is it because he owes Gramps money so Gramps likes Angela better? So mystified…
- If ghosts are real and not in people’s minds, then how did these guys fake ghostbusting actually work? People were praising them as having saved them & stuff, which would make sense if the ghost activity was all in the people’s heads, but since it’s been ascertained that ghosts do indeed exist in this universe – how did they manage to achieve this?? They seemed to have not a single complaint.
- Do you think you could’ve made it less obvious who the killer was? Is there a reason you made it so obvious so early on?
- Why? Just why? *sighs*
If you need a movie on in the background while you work, this one will work in a pinch but otherwise, you might want to skip it. Formulaic + annoying AF characters + no mystery + no scares = not a very fun time. Def better ghost stories out there. Go watch them instead. Totes.
Holy fuck! Who’s that creepy motherfucker and what is he doing here?? Something tells me he wants to strangle me with my own intestines…which is VERY unhygienic, so EW. Or he could just be that guy from VOLUMES OF BLOOD: HORROR STORIES, the sequel to the kickawesome VOLUMES OF BLOOD. Remember that one? An anthology, but a super fun one with lots of gory good times? (Just click the link if you need a refresher!) But we all know that the killer always comes back, no matter what, and we also know how it tends to go with the art of the sequel. So does VOLUMES OF BLOOD II hold up to the first? Hmmm…let’s take a look….
Our story starts with a heist. One that’s set in the middle of nowhere (maybe a farm?), which is the perfect place to die. It starts out well enough with three amigos heisting, shooting the shit, and telling spooky stories about the old place they’re stealing from (because one ALWAYS does that during a heist, duh). At least half of our opening story was filmed in apparent complete dark, however, so you’re going to have to rely on your ears big time here. BUT the kill scenes are nicely lit and so long as you get to see people die, I guess it’s all cool, right? (Huh. That last sentence doesn’t make me sound unbalanced at all. ;))
But WAIT, no, omg, guess what?? That whole time we were watching a movie!! I mean, obviously I was watching a movie but then I was watching people watching a movie! Ah, the old movie within a movie trick. (Thank you, CABINET OF DR. CALIGARI) Boy, did you get me. Then we’re off to…watch another movie? But first we need to time jump to the past? And then 20 minutes past the past? Then come back to here to watch the movie? (I think I got that order correct.) There were lots of random images being flashed about, so I wasn’t sure if we were going back to the library and following the immediate aftermath of the first film or if we were jumping into a, um, jumping into movies anthology. It turned out to be neither.
What happened next was an anthology wrapped around a house and the holidays – different holidays and a single house as the centerpiece. We get to experience Father’s Day, Christmas, birthdays, Halloween, and so on and so forth. (We also get to experience the joys of house browsing!) As with most anthologies, certain pieces were better than others. My favorite story featured the girl above, a salesman, and Thanksgiving. It was incredibly atmospheric which helped lift it from the “oh yeah, I have a pretty good idea of how this ends” doldrums. The Christmas piece ended up being fairly good as well with its fun ending and an actress who was able to carry ~10 minutes of screentime alone (and mostly in silence). The downside was that this piece was much too long. I understand the time needed to build tension, to make the audience realize that something isn’t quite right, but it can be done in less time than this. (Also, my god, the freaking carols and Christmas music!!! BLEHCK. I hate this holiday so much.)
Overall though? First and foremost, VOLUMES OF BLOOD: HORROR STORIES reminded me WAY too much of THE PERFECT HOUSE, which is also an anthology tied around a house in which a real estate agent is showing a young couple around. Secondly, it was much less cohesive than the first. This story didn’t flow as smoothly as the first did; didn’t tie together as well; didn’t make as much sense. Especially the ending. I still don’t know who the killer is or where he’s from or why he suddenly popped up and decided to kill every citizen of Owensboro. I also am unsure why there are now unseen forces (or people) seemingly commanding him to kill (not like voices in his head but legit “hey that’s an order!” commanding way). Maybe it’s all just meant to entice in case there’s a third film? I dunno, but I was not impressed. Thirdly, this sequel just wasn’t as much FUN as the first was. This film was really lacking the joy of the first (I know that sounds weird – joy in a horror flick? – but hear me out). The first film was clearly such a product of love and devotion and people were so obviously having a blast that it made the energy of the film into that too (despite the blood and gore ;)).
VOLUMES OF BLOOD II was definitely better LOOKING than the first – it looks like they had a larger budget this time around – but it was lacking. It was missing that joie de vivre and indie spirit, for whatever reason. It also didn’t stick together as well as the original – this one very much showed us that it had been stirred with several hands in the mixing bowl and it made for some lumpy spots.
Is it ultimately worth a watch? Yes. There are the couple of stories that are really enjoyable; there’s a nod to TRICK’R’TREAT (my favoritest anthology series EVER); and there are lots of gooey messes and intestinal effects that are all practical and not CGI. (Big props for the makeup team and fx guys! You guys are wicked awesome!) And, of course, if you’re a fan of the slasher genre, you may totally dig on this. Check out the trailer on the Facebook page and let me know what you think!
Shady’s back – tell a friend! *dance break* Oops, sorry, got a little excited there for a minute…Anyway, I’m back (for today at least. and later this week. then hopefully forever and ever and ever like that creepy clowndoll you can’t get rid of but being ill makes life rarely go as planned, so we’ll see. right? 😉 ) WHY am I here? To let y’all know that the Portland Film Fest is back!!
Remember AIMY IN A CAGE from last year? The mind-blowingly, amazingly, freakishly, insanely beautiful love child of John Waters and Marc Caro/Jean-Pierre Jeunet (that is currently on Amazon Prime – hint, hint, nudge, nudge)? It was one of the AMAZING pieces from last year’s festival and this year’s line-up promises to be just as interesting! I’ll be covering the festival and reviewing films from it for the next couple of weeks, and there’s just so much diversity going on here – there are films on pinball wizards; accountants dying to be stand-up comedians; Ovarian Psycos; pot growers; guys with allergies to the sun; haunted Mediterranean islands; politically-conscious indie musicals (YES!!!); family dramas; goat farming; gang life vs. street fashion; superstar role models; and MORE…*deep breath* Whew, that’s a lot of film! Obviously, I can’t get to them all, but I’ll be getting to as many films as I can. If you’re IN Portland, however, I HIGHLY suggest you go watch these beauts for yourself!
The fourth annual Portland Film Festival will take place August 29 – September 5, 2016, at Portland’s iconic Laurelhurst Theater, and will include over 20 educational panels & forums, 12 archival presentations, and many parties, events, and industry networking opportunities throughout the week. Established in 2013, the Portland Film Festival is one of Oregon’s largest film festivals, and was named “one of the coolest film festivals in the world,” by MovieMaker Magazine. This year, the festival has programmed a near equal balance of films from men and women, furthering the festival’s commitment to supporting diverse voices and visions.
“This year’s screenings, panels, and programs are an exciting cross-section of icons of classic cinema, engaging new filmmakers, and the best of modern indie film. We’re truly proud to bring this year’s eclectic program to local audiences. We’re also thrilled that, for the first time, all of our films will screen at Portland’s historic Laurelhurst Theatre. This year’s festival will be a not-to- be-missed event,” said Josh Leake, Portland Film Festival Founder and Executive Director.
The festival will present two opening and closing night films (a documentary and a narrative film on each night) and feature films in the following sections: Narrative Competition Feature, Documentary Competition Feature, Narrative Spotlight, Stranger Than Fiction, Tribute: Visionaries, and Milestones. New this year, the festival has created a section to screen classic films from the 70’s and 80’s, and will also be honoring two iconic writers, Chuck Palahniuk (Fight Club, Choke) and William F. Nolan (Logan’s Run).
Visit their site for full deets and list of films!
Remember Volumes of Blood? Remember how much I loved it? Well, P.j. and the gang are back for Round 2 and if you’re so willing, they’d love your help. They have an Indiegogo campaign up right now full of fun perks so if you have a couple of extra dollars and love indie horror, head on over and give ’em a hand!
Tag Line: It finds the bug in you…
Guys. *pssst* Hey, guys! I have a secret. Know what it is? That this movie is f*cking awesome! (What? If you didn’t know, then it counts as a secret…) This is, hands down, one of my new favorite movies. Not gonna lie – I wasn’t a fan of the ending but it doesn’t detract THAT much from the “WHAAA-?” factor going on here.
So ya know how we live in the age of “Big Brother” (hello, 1984!)? Drones, people listening in on phone calls, Facebook messenger needing access to our birth certificate to work kinda stuff? That’s what this is about. Except what if “Big Brother” isn’t a person (or group of people) but rather…dun, dun, dun…a NIGHTMARE CODE???
“Nightmare Code” is a psychological sci-fi thriller about computerized behavior recognition, behavior modification and 24/7 surveillance.Our main guy, Brett, is this wicked hacker who’s also a whistleblower, who’s in a heck of a lot of trouble, who gets recruited to work on this super secret project that needs to be finished STAT. It’s called ROPER and it’s an all-seeing behavior recognition program (think Minority Report – the TV show at least, I haven’t seen that movie) intended to predict future behavior. Brett got recruited super fast for this project. Why? Oh, just because the last lead programmer went on a murder/suicide spree. Yeah, no big. Cotton was his name and he was apparently a genius – a MAD genius, mwhahaha. Now Brett’s holed up in this office building (seriously, he can’t leave for some reason, not even to get lunch apparently? Weird…TOTES) with a super small team of 4 other people trying to race against time to get this baby done. His only contact with the outside world is via video chats with his wife & daughter and his programming counterpart in India. Fun job, eh? One small, itsy bitsy problem though…the code he’s working on? It’s kind of alive. Yeah.
That’s right, the big bad of our thriller is computer code! You’re sitting there going, that doesn’t sound scary or thrilling at ALL. NO. You just watch the movie because ROPER is freaking terrifying. It’s like “Robopacolypse” terrifying. The entire movie is told from the viewpoint of the CODE. Yep, it’s the first movie told from the view of artificial intelligence. This ended up being a small problem for me at times, actually, because this involved a lot of security camera footage being shown on 4 split screens at a time. There was way too much going on for me to concentrate when different things were happening on those screens so I don’t know if I missed anything important. Otherwise, it’s wicked cool watching our protagonist, Brett (Andrew J. West), slowly lose his mind while unwittingly (at first) battling this entity.
As I said before, I wasn’t a fan of the ending. It was entirely too expected; it was exactly what you knew was going to happen. I spent the last half of the film praying it WOULDN’T happen but to no avail. It doesn’t take away from the overall kickaewsomeness of “Nightmare Code” but a less archetypal ending would’ve set this film so much further apart from other sci-fi thrillers than it already is.
Guys, this is some good, clean fun right here (and by “good, clean” I obviously mean blood + sexy naked time), and y’all need to get your asses in gear and go watch “Nightmare Code” NOW. Remember, I’ll know if you don’t, because someone’s always watching… 😉
Happy Thanksgiving, y’all! Hope it was super fabulous and delicious! As always, THANKSKILLING is an absolute *MUST* to follow up all that food, family, fun & dysfunction so ENJOY!
Groundhog Day takes a wild, meth-induced bloody ride in Blood Punch (my new favorite movie), a horror comedy written by Ethan Pines. This film starts out hard and never lets up – bringing us hilarity and death, murder and mayhem, sex and blood, meth and peyote, carnage and deserts, snarkiness and more snark – this is indie horror filmmaking at its finest. Seriously. Why wasn’t I in this movie?? (Oh yeah. Current status: somewhere in the woods of Alabama, far from civilization…*sighs*) You guys are gonna LOVE this one though (specially you, E.!).
So what we have is this:
A young man is lured into a dangerous love triangle that begins to take a series of shocking and grisly supernatural turns.
(Although for those more on the squeamish side, it’s really not as grisly as they make it sound. There’s tons of death but the majority of it isn’t graphic. That said, for those who enjoy blood soaked…um, bloodiness(?)…there’s a great scene featuring that which I particularly enjoyed. 😉 )
Milton is this super smart dude who got busted cooking meth and is in drug court ordered rehab. There he meets Skyler (whom I now aspire to be like) – an incredibly snarky, kinda bitchy, but ultimately sexy gal – who desperately needs him to help her and her boyfriend out with a meth cooking job. A BIG one. If he agrees, he gets to break out of rehab that night and gets a sweet payday on top of it – all for a one day job. Tiny little catch…Skyler’s boyfriend is a psychopath. No really. Dude is the devil himself (as Skyler says). An entirely terrifying yet strangely charming (at times) psychopathic devil. Lemme tell you, Ari Boyland walks a very fine line here playing Russell, and he tiptoes across that edge like a BOSS. Since this IS a horror movie, Milton takes the gig only to find out just how truly sadistic Russell is and how caught up in Russell’s web Skyler is. And then from there, things just get…well, hilariously bad.
One of the great things about this film is HOW we’re seeing things play out – via flashback. Not just any ordinary flashback though. Nope, Milton wakes up one morning to find a video message from himself in the bathtub explaining the whole situation. It’s truly fabulous. As are the various ways that people get killed off in this film. I mean, if you live to die another day, again and again and again and again…like, really how many ways are there to kill someone? These guys are determined to find out and some ways are truly inventive. So to sum up – 3 kids (okay, college kids but still) trying to work out why they’re repeatedly dying, repeatedly killing each other, trying to escape, and all while sitting on one freaking HUGE pile of meth. Oh, and there might be a romantic squabble or two in there. Super easy sitch to control. It’ll be fine. They got this.
Milo Cawthorne as Milton is great. He’s the perfect blend of confused, edgy, pissed off, longing, scared that’s required here, and is funny as hell. He and Olivia Tennet as Skyler have excellent chemistry, playing off each other extremely well, with their quip delivery on fleek. SO MUCH SNARK. It was like I died and went to heaven. *sighs* Olivia also had the job of making a not so likable character, a sympathetic one, which she did with great aplomb. There were times I wanted to hate her but I could only just say, “You’re a jerk and I’m not talking to you right now. So there.” and then made up with her, like, two minutes later. That was REALLY annoying in that one part when she did that one thing that was just all UGH, you know? 😉
Random aside: Apparently, the majority of these actors were all on some Power Rangers show (RPM??). I’m too old to have gone through a Power Rangers phase but ya know, if you’re not old and decrepit like myself and were totes into PR, then you get the added bonus of nostalgia. Just FYI. 🙂
Guys, this movie is kickawesome. We need more well made, SMART movies like this one, especially in this genre. If you wanna check it out (and you know you wanna – right, E.?), the link’s up there at the top. You can also check ’em out on Facebook if you wanna get in touch. Ugh. So fucking good. I’d hate for you to miss out…