Category Archives: American Indie
It’s Devil Week over at the IPCs because everyone needs more devil in their lives, right? Starting yesterday, there’ll be five days worth of movies with the word devil in the title that may or may not have to do with the devil at all! (Or in this case, not necessarily in the title but ya know…E said it was totes cool!) And so I present our He Said/She Said of I’M NOT JESUS MOMMY:
I’ve never been a real big fan of “The Omen” style Antichrist movies, probably because I was bred into a religious environment growing up, and, as a Sagittarius, I can’t really take it when people tell me what to do and how to think and what’s trendy and what to watch and what to do and everything else. The “Sag” is a free spirit who makes his (her) own decisions by trying it out himself (herself) before making the decision of like or dislike or hang on to or get rid of. So, here we have an Apocalypse movie, via “The Rapture” that’s really (thankfully) not too preachy but, honestly, suffers from WAY too much slowness, boredom and, I do hate it, but not too much budget. With “Amber Lake“, those folks showed us how to make a really GOOD movie with no money. Here, the acting is pretty bad from everyone, but it’s not like I just hired my neighbor from across the street to do the co-star role for 200 bucks, I think it’s just a lack of experience. I am always appreciative that a movie gets made (who knows if I’ll ever even finish my screenplay and try), much less gets picked up and distributed, but this was just kind of too slow. I mean, I think they really tried, but, for real, I played 20 rounds of Words With Friends during the loooooong musical interludes because I was not interested, I thought about how I might review this because I think they had a good idea which could have been much better with some more funding, I thought about how (in no way ever) I could give some money for a better remake and, for those of you who look at this, I thought about how I had the shot in my back today and I could finally sit comfortably, and I thought about how I have to go to work tomorrow. Anyway, this is boring and slow and has several record-playing pauses that dim any excitement that might be brewing, BUT – it’s a good story, if you don’t mind a Christian style End-of-Days Rapture thing.
So – a very large chested woman named Bridget McGrath plays a very successful fertility doctor named Kimberly Gabriel who can’t have kids of her own. She is opted in to a U.S. Army experiment where an actor named Charles Hubbell (Dr. Gibson) has finally figured out how to clone a human embryo. Despite her initial reservations, she decides to go along with the experiments on illegal Mexican aliens as hosts and goes ahead and self-inseminates herself with one of the clone-embryos. Sure enough, it takes (but none of the others do) and eventually she Cesarean-style has a baby she names David (complete with an upside down cross indention on his baby-head). Shortly after that, we cut to seven years later, the Earth is in famine, war and death (Revelations), everyone seems to have “the mark of the beast”, the U.S. is in some sort of Ice Age and (I think) the Mexican government is controlling everything from food to water and bread and there is no gas or electricity. Kim and her son David are living alone in a cold, cold apartment and he Doctor (Hubbell) has gone bat-shit religious, preaching (and praying) constantly to his live-in sister and her daughter.
I’ll stop here, because this is a decent (but very slow) movie and I shouldn’t spoil it, but this could be much better. Let’s ax the record playing, the CGI cold breath, the way, WAY too many close-up shots, the irritating preaching by Hubbell, the clothes-with-no-bodies-Rapture business and make this into something exciting that’s not “Vanishing on 7th Street“. To me it’s “to each their own” and I have long read into the dogma of Christianity (and many other religions) and I get it, but how about someone funds something that is actually scary about the Apocalypse, which is a fearful thought, whichever “ism” you believe in. It’s been a LONGtime since I saw it with my friend Dave M, but I think my favorite of these types of things is “The Prophecy” with none other than my main man, Christopher Walken.
No, no you are NOT Jesus because I’m fairly certain Jesus would’ve had the common courtesy to put a comma in that freaking title. Seriously. That’s the first thing that’s wrong with I’m Not Jesus Mommy but never fear, that’s not the only thing that’s wrong here, trust me. There’s lots more to come!
The story starts out with a woman. She’s a cancer survivor but unfortunately the cancer left her unable to conceive. She has a husband who seems pretty sweet and loving – I mean they spend the first 20 minutes of the movie dancing around the kitchen and drinking wine and snuggling. In between the lovey-dovey, there are shots of the woman (Kimberly, btw) being interviewed because she is also a fertility doctor (irony!), then going to a top super secret meeting with military personnel, then getting all furious because at this top super secret meeting she learns that these people are cloning, then after that she decides to take a job with them. Hey, minds can be changed in the blink of an eye.
Roger is the lead doctor of this top super secret cloning project which seems to mostly consist of catching illegal immigrants and offering them the chance to become a permanent resident if they agree to be implanted and carry a baby to term. The embryos that aren’t implanted are destroyed which agonizes Kimberly. So what does she do? She grabs the first one she sees and impregnates herself, of course! No learning anything about the embryo or where it came from or any characteristics of it, nope, just point and shoot with the turkey baster. She’s totes excited about this and runs home to tell her husband who becomes furious. Why? Because she didn’t ask him and this wasn’t just her decision. This was an odd turn of events to me because it’s made pretty apparent before hand that Kimberly really really wants a baby and if you didn’t want a baby, Mr. Husband, pretty sure you should’ve said something like, AGES ago. *shakes head, rolls eyes* Mr. Husband runs off in a rage and immediately gets into a car wreck where his car is flipped over. Then another car comes along a minute later and smashes into him. Oh well.
Baby is born (which is pretty epic because all the other embryos implanted were still-born), baby is baptized. And suddenly, it’s 7 years later and the world has gone crazy. Mexico has closed off its borders and built a wall to discourage US and Canadian citizens from crossing into their land. People are being fed government rations and starving. There’s barely any electricity or heat and all that’s on the telly are the government rules (curfews, punishment for not obeying the rules). Life pretty much sucks.
Now, remember Roger, the cloning guru? Well, he’s gone extremely religious. He’s somewhere between fanatic and extremist. I mean, he’s smothering people in the name of love and all that (just a note – one of the people he smothers is an adorable little child so if that sort of thing bothers you, for sure never watch this one). And baby? Well, his name’s David and he has an imaginary friend named Kuddles and his mommy is dying and he wants to go to Mexico. There’s a lot of “yada, yada, government is bad, yada, yada, mommy is dying, yada, yada” exposition and then suddenly we’re at the end of this thing without anything really having happened. I will tell you this much about the end. The whole “I’m not Jesus” thing comes about from David having been cloned from blood found on the Shroud of Turin. Yep, he’s supposed to be a Jesus clone.
So what are my issues here? How about a handy little list?
1. The acting is bad. Kimberly is completely monotone. “My baby!” carries as much weight here as “I took out the garbage.” It’s entirely distracting.
2. This movie has no idea what it wants to be about. It starts off being about the dangers of cloning, then suddenly it turns into a statement about immigration, THEN it goes all religious and finally at the very end, it’s about cloning again. Now if they had picked just one of these (hell, even two) it would’ve made for a much more linear narrative but instead we get a jumble that doesn’t know what it wants to be preaching about.
3. The description I read about the movie before I watched states that “odd things happen when David is around”. NOTHING odd happens when David is around except that he’s a weird kid that wants to bring his mom back to life when she dies. And there’s one instance where Kuddles seems to “come to life”, so to speak.
4. We see people getting killed and then a minute later, all that’s left of them is their clothing. So we seem to have the Rapture going on but why do they need to die first for this to happen? Admittedly, I haven’t gone to church in awhile but my understanding is that you can just be raptured without being killed first.
5. Why did the world suddenly go all Big Brother crazy? There is NO indication of this happening prior to the title card “7 Years Later”. Did cloning make this happen, is that what we’re supposed to surmise? This plot point seemed to come totally out of left field.
So much wrong when this could’ve been so much of a right. *sighs*
Ugh, anthologies are like SO over, you guys. Totes. And yet, people keep doing them. “The Perfect House” came out this past July as a release from Wild Eye Releasing and once again reminds us of how badly we need some original horror stories on the scene. And it isn’t just the anthology framework here that’s overdone, it’s ALL of it. It’s an entire film of “Yes, yes, we KNOW, we KNOW,” with perhaps a spot of “Oh, hey. That was sort of nice.”.
Here’s how it goes down:
Enter a young family (parents and 3 kids) going to dinner at their neighbor’s house. Things are going well (kinda sorta – the in your face foreshadowing has already told us shit’s about to go down) till a weedwhacker (I think) is brought up. Chaos ensues for a brief moment. End Scene.
Enter a young couple who are house shopping. They stop at a house that they are so super uber excited about and meet with the oddly super sexual realtor (whom the wife does NOT bitch slap for some reason) who shows them around the house (thankfully without having sex with either or both of them) while telling them that the basement is usually a deal breaker. But why?? End scene.
Enter another family in said basement on a dark and stormy night…No really, it is. Big storm so they’re all sleeping in the basement because it’s all dark and scary. We’ve got a brother and sister who look to be between 13 and 15 years. We’ve got a dad who is REALLY into protecting the daughter for some reason. And then we’ve got mom, who is a scary psycho bitch. Needless to say, the sleepover doesn’t end well. The problem is, I think there was supposed to be some sort of twist or something but it was so dark I don’t know what happened (not to mention 3 different versions of the same story were told – NOT helping). This one could’ve been okay with a clearer ending and some more light in the basement.
After a totally not seamless transition (I spent a good two minutes trying to figure out if the girl in this story was the same as the girl in the first story despite our having gone back to the couple/realtor scene b/c they looked so similar), enter another teenage girl and a psychopathic guy, say in his early 20s? in the deal breaking basement. This time the girl is in a cage (kinky) and is being forced to watch as dude allegedly kills a person a week. Just fyi, he’s had her for FIVE years. A person a week for five years? How many people is that exactly? 260? Have the police not noticed the 260 people that are missing from this town (is there even a town left at this point)? Or are they seriously just so incompetent that they can’t find a serial killer who’s been in the same house for 5 freaking years with a girl in a cage? SERIOUSLY?? Logic, thou art a fool. *eye roll* And then after that, it’s just torture porn for a thousand years or so. I thought the torture porn trend had finally died out but it seems I was wrong. *sighs* On the plus side, the effects are really good so if you’re a gorehound, you will most definitely be pleased.
Back with the sexy realtor/married couple, the wife part of said couple is getting totally wigged out by the basement. Bad feels and all, ya know? Her hubby still says everything is fine but you know what? He’s apparently cut his finger on something pretty badly (from the amount of blood gushing out) and yet he still has a goofy grin on his face because of the realtor, so what does he know?
ANNNNNDDDDD we’re back with our original family, who went to have a friendly dinner with the not at ALL crazy neighbor man, who didn’t at ALL flip out about a weedwhacker and then handcuff them all up to indulge in some more torture porn that’s a cross between “Saw” and “Would You Rather?”. Ye gods, when will the torture porn/”I’m Jigsaw’s prodigy” end??? But once again, it’s got some good gore (although *spoiler* if you have issues with young kids dying, you might want to skip this one).
Also on the plus is Felissa Rose as the mother of the “Let’s go to dinner and get murdered!” family (you might better know her as “Angela” from the amazing “Sleepaway Camp”). Most of the acting is well done – the young couple and realtor were a little under par while Girl in a Cage was pretty kickawesome. Props to the makeup team and FX – they went above and beyond. This film suffered the fate of many a horror flick in that parts of it were much too dim to see anything. That was mostly in the basement scene and then part of the family at dinner scenes were hard to see as well.
To sum up, “The Perfect House” isn’t the worst thing you could watch by far, it’s just tired, another “wash, rinse and repeat” horror film. But if you’re into anthologies or the torture porn genre, then by all means check it out because you might like it. Just hop online and hang a left at their website!
Citizen ‘Caine comes to us courtesy of John Ervin, who also brought us The Tiki War (which you might remember me reviewing in Rogue Cinema a couple of issues back). While I enjoyed The Tiki War, unfortunately I did not enjoy Citizen ‘Caine. The film didn’t serve so much as a look at the grittier side of life as it did to a somewhat boring slice of life. While I don’t think the point of the film was to be grittily morose, one would think that diving into an exploration of the adult film industry and cocaine addiction would be dirtier and more interesting. Mostly though, I just kept wondering what point the film was trying to make exactly and that’s usually not a good sign…
Synopsis: Lou Phillips, a cocaine-addicted insurance salesman from Minnesota, confronts the seedy underbelly of Hollywood in search of his missing teenaged daughter. During his search he interrupts a shoot at LA’s Deep Horizons Studios, which specializes in home-maintenance videos that also serve as adult-entertainment films. In the process of confronting director Sir John Blunstone, his crew, and his biggest star Martha Sunset, Lou also confronts his addiction to cocaine.
See, that sounds kinda neat, right? And I liked Scott Carson as “Lou” A LOT…except for when he was in Hollywood. Those scenes he wasn’t as good in but it had more to do with the dialogue than him. Because there was simply too much extraneous dialogue floating about here. I’m guessing 7-10 minutes could’ve been cut from this 30 minute film and it would have still worked (possibly even better?). Simply removing the word “Ratan” from appearing so many times would have been an improvement.
What the film DID have going for it were the rare jokes sprinkled throughout. I did find the mixture of sex and appliances strangely amusing, as well as the several references to Nicolas Cage being the BEST ACTOR EVER. But as a whole? The acting made me wince…the dialogue went on and on…and the film just left me empty. It was a nice effort but one that didn’t really pay off. (And let’s face it, if you’re making a movie about people having sex with blenders, it should be fabulous, even if it’s just so BAD that it’s hilarious. But this was just BAD).
You guys know how I LOVE well-made short films, right? Like, I have a hard-on for that shit. Particularly thought-provoking ones that tackle difficult issues. Pink Moon is totally in that category. TOTES.
Pink Moon is the story of a boy and girl living in a society where heterosexuals are persecuted. As if having to hide their relationship wasn’t enough, the girl gets pregnant (oh, did I mention abortion is forbidden?). It’s a pretty simplistic description for a film that evokes such complex emotion. While the overly-obvious plot device of twisting certain civil rights issues on their heads might be cause for some initial concern, in reality you’ve got a relevant-to-us-all story that needs to be told.
And Pink Moon tells this story with a quiet kind of aplomb. It’s not overbearing in its story-telling, never heavy handed as it could have been in lesser hands than Sal Bardo’s. Brandon Tyler Harris and Cole Johnston as the teenage couple are breathtaking; their chemistry amazing and deeply affecting. The raw honesty here has the potential to shift viewpoints. Beautiful is really the best way to sum up watching this.
My only issue with the film was confusion on my part on how/why people can still have/are having children when heterosexuals aren’t meant to be together. Is it all accidental pregnancies? Insemination? Are there specified “breeders”? I realize there are different ways this could be done but the unclearness here, especially in the hospital scene, drug me out of the story for a moment. That was it though. Apparently a full length version of this movie is being made right now or in the near future (which I cannot WAIT to see!) so I’m hoping things are made a bit more clear in it.
My recommendation is that this be required viewing but since it’s a *free* world, I’ll just highly suggest it instead. 😉 Links to the website are above and Facebook links are in the photos and the movie is online and free. Approximately 17 minutes can give you a helluva lot to ponder.
*FOR YOUR CONSIDERATION*
From writer/directors Jeremy Scoggins and Matthew Hibbs and Executive Producer P.J. Starks (Volumes of Blood) comes the next generation of super heroes.
The Trio: Knightmare, Dreamcatcher, and Anarchy-X, three ordinary people, called upon to be the vigilante heroes of a city wrought with dark secrets. Plagued with their own personal demons, they bring it upon themselves to become the saviors in a thankless city. Under the watchful eye of their mentor Chronos, who harbors a past of darkness himself, the Trio wages a war on the villains of the city. The sadistic drug lord Animus holds grip on the underworld, while Persephone Masters, a crafty and powerful politician, sits on high in the city and hires the cold and calculating assassin, Strife, to eliminate anyone who stands in her way. The villains play River City like their own personal chess game with the veiled and mysterious Cryofire corporate power quietly plotting all the moves. With the Trio holding on to what justice there is left in the city, they are faced with unexpected challenges both within themselves and throughout the streets as they set about hunting down the men and women who have corrupted their city.
In a city where crime seeps from its pores, the victims must become the answer to their own prayers.
Production Company: Hive Mind Studios
Starring: Jeremy Scoggins, Louisa Torres, Derreck Fraser, Markus Porter, Kevin Arnold, Jeremiah Hinson, Jaron Scoggins.
You too can help stop evil by contributing to the cause!
Are we all getting a little tired of anthologies by now? ABC’s of Death and V/H/S’s all over the place? Yeah? Well, screw them, watch this and have your faith in the anthology genre restored. Volumes of Blood doesn’t just wipe the floor with those two, it wipes the floor with blood (and brains…and guts…and stuff…) and remains wickedly funny throughout.
Volumes of Blood is a super indie collaborative effort out of Kentucky that involved almost 150 people (I believe – correct me if I’m wrong, P.j.!), which is pretty amazing in and of itself. MY last indie project, I was acting, co-directing, holding a boom AND getting coffee, lol. Ah….movie making….I can’t remember the last time I saw an indie look this good though, particularly a lo-budget one. “Misty! Stop talking about behind the scene crap and tell us what happens ON screen!” Yeah, yeah, I hear you…
Urban legends is what we have here, guys and gals. But not those silly old boring urban legends we’ve all heard a MILLION times before (no Bloody Mary, Bloody Mary, Bloody Mary here!). No, we get new urban legends, entirely made up as the film progresses. I have to admit to being a sucker for urban legends because really they’re nothing more than modern fairy tales and my fascination & study of fairy tales is a lifelong thing (that I’m going to refrain from babbling on about – see I can be good). And the legends here have some unique modern spins indeed. From demonic energy drinks to learning lessons about playing pranks to satanic encyclopedias (c’mon, this NEVER ends well!) to ghostly visitors who like to tease…you’ll have a blast from beginning to end.
What’s more is that all the effects are PRACTICAL effects which absolutely makes me shiver with delight. It’s that absolutely brilliant old-school style with just a hint of a lovely Troma-esque influence….*sighs*…..Especially the end….oh the end…There should have been more blood and gore. Yeah. Maybe that’s my one complaint. MORE of this, please!! So those of you who are into that too will def get a kick out of this one.
There’s also some really good acting going on here. Not gonna lie – sometimes grabbing your friends up to make a movie means not so wonderful acting. Just the truth. But here? Nah. These guys are GOOD. There were a couple of people who only had a line here or there that were a little stiff but all the characters that were essential held my attention and sold it. TOTES. This is even better when you know that a good portion of things were improv.
And ya know what? If I STILL haven’t managed to convince you, I’ll just let my favorite line of the movie do it.
“Learn how to die or start making Christian films!”
P.S. Check ’em out on Facebook!
The latest issue of Rogue Cinema is here and you KNOW you’re dying to read it…so what are you waiting for? An engraved invitation?? Sorry, I don’t have any of those. I can give you a preview of the issue though! Inside this month, you’ll find great articles on awesome films like these (and TONS more)!
Awhile back I did an interview with my friend P.j. about his upcoming horror anthology, Volumes of Blood, and lo and behold the premiere is finally upon us! I, for one, am super excited about this (even if I can’t go to the premiere because distance). I think the anthology is going to be pretty cool though and I’m excited to see it when it gets a wider release. P.j. sent me this teaser short to give you guys a taste of what’s to come, so enjoy!
“Kevin Smith has always been a huge inspiration for me, so I made the decision to create my own universe around Volumes of Blood. This is just the first online short in that mission. The Preylude shows you how one of the characters from the film gets into the situation we find her in, in the film. There’s no real pay off, because the conclusion follows through in the motion picture that releases on Friday the 13th this month at the Owensboro Convention Center. Tickets are only $5 and all proceeds go to a local charity. Doors open at 7 pm. It’s gonna be a great time for a good cause.” ~P.j. Starks
If you want to learn more, check out the Volumes of Blood Facebook page!
Today’s the day of turkey and gratefulness and to combine these two things, I’m sharing one of my favorite Thanksgiving movies – Thankskilling!! There’s nothing better than a homicidal turkey and topless Pilgrims on Thanksgiving, so I suggest you give Thankskilling a view after you’ve killed your turkey dinner. Heh. Happy Thanksgiving to my American friends!
If you’ve been a reader of this site for awhile, then there are at least three things you know about me: 1) I love horror 2) I’m a pretty big and pretty dedicated fan of Jeremiah Kipp’s work and 3) I am a fan of Edgar Allan Poe. At least, I’m pretty sure I’ve mentioned my love of Poe before (my memory is just the worst…). I started reading dear old Poe when I was 8 (not sure why my parents allowed that but hey, it gave me my first foray into horror lit and into the horror genre itself!) and “The Cask of Amontillado” was always my favorite. Something about being walled up for eternity just totally creeped me out (that 8 year old imagination probably came into wicked play there…). My friend, Jeremiah, has taken one of Poe’s short stories “Berenice” and turned into an deliciously creepy short film. It’s his little piece of the upcoming horror anthology Creepers, debuting on Blu-ray and VOD on October 7.
If you’re unfamiliar with the story, as I was (and thank goodness I didn’t read this one as a child, is all I gotta say), there once was a boy named Edward who had a lovely cousin named Berenice (names updated for our modern audience) who came to live with him and his parents. Edward (Thomas Mendolia) is a bit awkward and obsessive compulsive. He has to turn lamps on a certain number of times and tinkers with small mechanical parts at his desk, alone in his room. Social he is not. Then along comes Berenice (Cheryl Koski) who is everything Edward is not – sociable, graceful, roaming carelessly through life. Except there’s a catch. Isn’t there always? Berenice is ill, dreadfully ill, with a mysterious malaise that we, at best, know causes seizures. And then there’s Edward’s mother (Susan Adriensen), who while being a bit of a stiff actress, manages to be absolutely terrifying. I’ve no idea if she’s in love with her son or just extremely overprotective and overpowering but I would not cross that woman. Edward’s father (Bob Socci) is rather unassuming, although he too comes off as a bit stiff. Edward is eventually told that he must be the one to take care of Berenice as she worsens, which he seems to be fine with as he’s seemingly…charmed by her, shall we say? And from there, I’ll let you either watch the film or go hunt down the story because what happens next is at times gruesome and then creepy.
Is the film good? You betcha. Thomas and Cheryl both embody their characters in such a way that it’s almost painful to watch – which in this particular story is a good thing. I’m far from being squeamish but there were a couple of scenes here that made me squirm just a bit (although it has been a rather long time since I’ve watched anything other than a tv show binge on Netflix…maybe that’s why…). And the ending? It’s not even the ending actually; it’s just the last final shot that got me. *shudders* Pure cinematic horror goodness right there.
If you love Poe, if you’ve liked my reviews of Jeremiah’s other works, if you just like short horror films done well and if you like horror anthologies (cause I hear the other parts are pretty kickawesome as well!), then check out “Berenice” and Creepers on October 7th!