Aimy in a Cage
WOW. Yeah. Okay. So. Um…AIMY IN A CAGE is basically the love child of John Waters and Marc Caro/Jean-Pierre Jeunet (DELICATESSEN, THE CITY OF LOST CHILDREN). That is the best way I know to describe this film. As the credits rolled, I just sat there, staring into space, asking myself, “What the f*ck did I just watch?” – but asking myself in the best way possible. Because this movie is mind-blowingly, amazingly, freakishly, insanely beautiful. In a really, really, really twisted way (and is there any better way?).
Summary – “A creative teenage girl is placed into a mind-altering procedure to civilise her, while news of a virus epidemic spreads throughout the world.” We might be in the future; we might be in the past – who the hell knows? Wherever we are, we have Aimy – a whimsical wisp of a girl who doesn’t exactly fit in with her family. Or society. Or anywhere. She likes to dance and they like money. She likes art and they like boring conversation. Honestly, it’s a bit more f*cked up than that but I just do NOT know how to describe it…Aimy is that one rare soul who isn’t a carbon copy of the materialistic, dull as dishwater, ORDINARY people around her. However, Aimy also isn’t necessarily likable. Not hateable but not entirely likable. But then NO ONE in this film is necessarily likable so perhaps that’s the one way Aimy IS similar to her surroundings?
Anyway, apparently there are (or were?) a few other people like Aimy (or EVERYONE used to be like Aimy) because there’s a procedure you can have done so that you too can be a mindless, materialistic robot! Yay! Aimy is forced into this procedure, which looks a little like this:
Aimy is all kinds of hardcore though so the procedure doesn’t exactly take the first time and is done again – this time with some…modifications in the form of psychological torture. Oh, and while this is all going on, there’s a virus making it’s way through the country that nobody seems particularly worried about (until they ARE worried about it). If this all sounds confusing, well, that’s because it is. But when you actually SEE it, it will all make sense. Plus you’ll get the many layers of the film (obvis it’s not REALLY about some chick in a head cage).
The only thing that bothered me about this film was all the SCREAMING. Holy wow, no one in this film can communicate in any other way except screaming. And it didn’t bother me in the way you might think – it bothered me because with the force/intensity/volume these actors were screaming, I just kept wondering how many times they lost their voices and had to halt filming. Did they have an every other day schedule? Realistically, how long can one scream like that without going hoarse? Do you see what I mean? I kept wandering away from the movie to wonder about the consequences of long-term screaming, lol. So be forewarned – do NOT have your volume turned up for this one or your eardrums will be BLOWN.
So yeah. Kinda (totally) dug this film. Wickedly brilliant, beautiful in a most f*cked up way and right up there with some of my favorite filmmakers (mentioned wayyyy up there in the first paragraph), AIMY IN A CAGE is a wild ride you should DEFINITELY take.
Posted on 2015.5.October, in Absurdist, Drama, Experimental, Fantasy, Film Festivals, Sci-Fi and tagged a few of my favorite things, aimy in a cage, city of lost children, crispin glover, i'm late said the white rabbit, john waters, portland film fest. Bookmark the permalink. 2 Comments.