Capital I, by director Amartya Bhattacharyya, is an intriguing mix of philosophy, psychology, physics, sexuality, reality, imagination…this film is an abstract work of art. Amartya is a 27 year old Indian filmmaker and this was a debut film shot on a shoestring budget – I gotta say I’m wicked impressed. Capital I involved a lot of artistic shots and a lot of beauty; a lot of creation. Pulling that off on their budget, I find amazing.
Synopsis – ‘Capital I’ is a surreal fiction film dealing with an artist’s works where the artist himself doesn’t exist in reality. It is also an existential psychodrama revolving around said mysterious and unknown artist and depicts the transformation of mind of a young girl whereby she finds herself trapped in between realistic relationships and attractions and a strange relationship with her hallucinatory lesbian partner.’ If you’re like me, you just read that and went “What the hell?” But if you go and watch Capital I and come back and read this, it will not only make sense; it will make so much sense that you’ll see metaphorical layers.
Because that’s what watching this film is – seeing the metaphorical layers of life peeled back one by one. It’s having everything in life being simultaneously set right while being crushingly wrong. I don’t know whether to reference Alanis Morisette’s ouevre here or The Matrix…Piyali is a young grad student of psychology who becomes obsessed with a local happening wherein a house was found locked from within but with the occupant having vanished. All that was left behind were some drawings and poetry style scribblings. She and an old friend, who is also a physics professor, team up to solve the mystery but as they go deeper, Piyali discovers more about existence and reality than planned. Oh, and she’s the one with the hallucinatory lesbian lover (as one has).
Capital I is one of those films where every sentence spoken has meaning but since there’s so much dialogue and so much to catch, only a couple of things will be lines that you, yourself, hold onto. One of mine was when it was mentioned that “the air here is pure.”…”it’s because it’s not weighted down by dreams and memories.” (Insert heart emoticon because I swooned). It’s not just the words you’ll fall in love with though (side note: the dialogue switches between English and Odia, sometimes in the same sentence. I’m not sure if there was a deeper meaning to that as well?), but the cinematography and the scenery. There are close-ups of some amazing small creatures…blurred ambiances when it comes to sensitive material…symbolism galore…amazing use of color…Ugh, have I gushed enough yet??
Seriously, this is a Must Watch, particularly if surrealism is your thing. I think this may be my first Indian film (Bollywood has never quite appealed)(also look at that – first Turkish film AND first Indian film posted about this week!) but if this is what’s coming out of India right now, I am SO there. Check out the Capital I website and go follow them on Facebook (then share their Facebook page with your friends and make yourself look uber cool and all sexy intelli!) You won’t be sorry!
Posted on 2015.7.August, in Experimental, Foreign Films, Indian Cinema, Lo-Budget, Rogue Cinema, Uncategorized and tagged abstractism, amartya bhattacharyya, capital i, existentialism, imaginary lesbian partners, indie film, layers upon layers of filmy goodness, my imaginary friend is my lesbian lover, not bollywood, physics, psychology, rogue cinema, sexy intelli. Bookmark the permalink. Leave a comment.