Category Archives: American Cinema
Happy Thanksgiving, y’all! Hope it was super fabulous and delicious! As always, THANKSKILLING is an absolute *MUST* to follow up all that food, family, fun & dysfunction so ENJOY!
*This one’s a little long but bear with me guy’s ’cause this festival is totally worth it!*
Okay, if any of y’all are near the Portland area September 1-7, I am going to have to HIGHLY recommend that you hit up the Portland Film Fest. How can this little ole Southern Belle recommend something so far off? Cause I’ve seen the line up and guys, it looks AWESOME. In fact, I’ll be covering festival films right here in the coming days!
It’s not JUST the films though – there’s so much more. There are special tributes to visionaries in certain fields:
1) Will Vinton – Will is receiving a lifetime achievement aware for his innovative contributions to the history of animation. He’s a world renowned Claymation® pioneer and Academy Award winner – you might recognize the name from his legendary stop-motion classic, THE ADVENTURES OF MARK TWAIN (which will be having it’s 30th anniversary screening at the festival along with his Academy Award winning short, CLOSED MONDAYS). I have to admit I’m not totally familiar with the guy but we all know I love my stop-motion animation (mostly in the form of Jan Svankmajer but whatevs) so this sounds pretty cool to me.
2) Wendy Froud – An American doll-artist, creature sculptor, and puppet-maker, Wendy Froud is a profound contributor to the history of pop culture and cinema. She is best known for being a member of the fabrication team of the iconic character Yoda for the 1980 film “Star Wars: The Empire Strikes Back” and also fabricated timeless creatures for the Jim Henson films “The Dark Crystal” and “Labyrinth”. In appreciation of her work, LucasFilms will generously share unique behind the scenes archival images from her Star Wars work, and Wendy will be honored with a lifetime achievement award. GUYS, she helped build Yoda!!! And she worked on LABYRINTH!!! I die. Seriously. I want to go to here SO much.
*sighs* So yeah, not just amazeballs films but ya know, STAR WARS awesomeness too. BUT it is a film fest and the films ARE important and SO many of them look SO good, it was hard to pick out which ones I wanted to see. Here’s some samples from the lineup that I’m excited about!
1) Aimy in a Cage/ U.S. A creative teenage girl is placed into a mind-altering procedure to civilize her, while news of a virus epidemic spreads throughout the world. (Um, YES. Apparently they made a movie about my hometown… ;) )
2) Touched with Fire/ U.S. Two manic depressives meet in a psychiatric hospital and begin a romance that brings out all of the beauty and horror of their condition. (Cannot WAIT to see this. Also Katie Holmes, y’all. Katie Holmes. I don’t care what anyone says, girl is talented, and I for one would really love to see her come back from that whole Cruise debacle.)
3) Audition/ U.S. A romance is portrayed by one hundred actors who compete for two lead roles and a chance to perform the final terrifying scene. (As if I WOULDN’T watch this one…)
4) Kings of Kallstadt/ Germany, U.S. A humorous documentary about German small village life and its famous American relatives: Donald Trump and Heinz Ketchup. (Okay, not entirely sure about this one but c’mon…you’ve gotta be a little curious… ;) )
5) Batkid Begins: The Wish Heard Around The World/ U.S. The Make-A-Wish Foundation and the city of San Francisco join forces to grant a five-year-old boy’s wish to become Batman for a day, drawing worldwide attention. (Remember Batkid??)
6) Dude Bro Party Massacre III/ U.S. A hysterical and bloody twist on 80’s slasher flicks, in which a dorky loner must infiltrate a party-centric fraternity to solve the murder of his twin brother. (Um, do you SEE that title? BEST title in the history of titles EVER. TOTES.)
AND…there are a TON more (80 feature films and 134 short films to be exact). But that’s not all! (I know right? You’d need, like, an extra 5 hours a day to fit everything in!) There’s also 75 Master Classes going on (if I was there it would seriously be a dilemma between going to the classes or going to see films, I kid you not, because the classes look really awesome!) so my peeps in the industry, I suggest you get y’alls selves over there. At the least, go take a class for me and then come back and report on it? Please and thank you? :)
AND…oh I’ve been saving the best for last…AND on Labor Day…a special all day and night event will set a Guinness Book of World Records for “most extras in a short film”. Director George Cameron Romero, son of iconic horror director George A. Romero, will direct. Award-winning makeup artists will oversee effects for an anticipated cast of thousands. Event will also include a nighttime surprise zombie film screening. You read that correctly, friends, there is indeed a ZOMBIE DAY!!! With a Romero, nonetheless! *squee* STAR WARS and zombies all in the same festival? Be still my heart…*sighs*
Okay, I’ll wrap this up now with a little “About” portion on the Portland Film Festival and links for the schedule and tix, but in all seriousness – somebody go take pictures of stuff for me!!! ;) If you do go, have an absolute blast and please do come back to this post and tell us all about it because we’d love to hear. And for those not in the area, never fear, you’ll be catching part of the lineup right here at CinemaSchminema. It’s gonna be fun, guys. Mwah!
“Established in 2013, The Portland Film Festival is Oregon’s largest film festival, and was named “one of the coolest film festivals in the world,” by MovieMaker Magazine in 2014. It is a non-profit, year round organization dedicated to nurturing filmmakers and audiences, and to celebrating the power of a good story. The festival focuses on the people, ideas, technology, skills and artistry behind filmmaking and provides both entertaining and educational opportunities for the public.
Screenings take place across the city at seven venues, including some of the oldest historic theaters in Oregon, and includes outdoor screenings as well – offering its filmmakers some of the largest audiences available on the West Coast.
Previous and current festival partners include the City of Portland, Portland Parks & Recreation, Women in Film, Oregon Media Production Association (OMPA), Willamette Writers, SAG Aftra (Actor’s Guild/Union), Oregon Governor’s Office of Film (Oregon Film), I.A.T.S.E. (Film Union), Directed by Women, Digital Media Communications Department at Clackamas Community College and others.
Although the festival began in 2013, its history goes back to 2009, when the Portland Film Club was founded as a film club to bring film lovers together to view and discuss films. The club now boasts over 2300 members and is one of the largest movie clubs on the west coast. It screens typically one movie a week including new and independent features.”
Horror maven Wes Craven died today, age 76, from his battle with brain cancer. Normally I don’t post things like this but I think we all know how influential NIGHTMARE ON ELM STREET has been in my life (I’ve only mentioned it a time or two…). It’s my favorite horror series; I own 2 documentaries about it (if there are more, PLEASE let me know because I need them!); have a sweet NOES shirt that I was gifted a couple of years ago; used to fall asleep to the theme song that I would play on repeat on my phone (what? It was soothing!) and had my proudest “parent” moment ever just the other day when my ex-bf’s kid sent me a story to read that he’d written for Creepypasta that had a Krueger homage in it. *wipes away happy tears* I am proud of the horror education I instilled in my kiddo.
The first SCREAM also made an impact on me as I was 16 when it came out (yes, I’m old, I know) and it was one of my first horror movies. It was so irreverent, so scary (at the time) and so fun. It made me realize movies didn’t have to come in a pre-packaged form and be like all the rest. Important knowledge for a girl who was nothing like anyone else in her small Southern town or her family.
And Mr. Craven knew that change was good such as when he wrote and directed this bit from one of my favorite films, PARIS JE T’AIME:
So goodbye, Wes Craven, and THANK YOU for all the nightmares.
It’s Devil Week over at the IPCs because everyone needs more devil in their lives, right? Starting yesterday, there’ll be five days worth of movies with the word devil in the title that may or may not have to do with the devil at all! (Or in this case, not necessarily in the title but ya know…E said it was totes cool!) And so I present our He Said/She Said of I’M NOT JESUS MOMMY:
I’ve never been a real big fan of “The Omen” style Antichrist movies, probably because I was bred into a religious environment growing up, and, as a Sagittarius, I can’t really take it when people tell me what to do and how to think and what’s trendy and what to watch and what to do and everything else. The “Sag” is a free spirit who makes his (her) own decisions by trying it out himself (herself) before making the decision of like or dislike or hang on to or get rid of. So, here we have an Apocalypse movie, via “The Rapture” that’s really (thankfully) not too preachy but, honestly, suffers from WAY too much slowness, boredom and, I do hate it, but not too much budget. With “Amber Lake“, those folks showed us how to make a really GOOD movie with no money. Here, the acting is pretty bad from everyone, but it’s not like I just hired my neighbor from across the street to do the co-star role for 200 bucks, I think it’s just a lack of experience. I am always appreciative that a movie gets made (who knows if I’ll ever even finish my screenplay and try), much less gets picked up and distributed, but this was just kind of too slow. I mean, I think they really tried, but, for real, I played 20 rounds of Words With Friends during the loooooong musical interludes because I was not interested, I thought about how I might review this because I think they had a good idea which could have been much better with some more funding, I thought about how (in no way ever) I could give some money for a better remake and, for those of you who look at this, I thought about how I had the shot in my back today and I could finally sit comfortably, and I thought about how I have to go to work tomorrow. Anyway, this is boring and slow and has several record-playing pauses that dim any excitement that might be brewing, BUT – it’s a good story, if you don’t mind a Christian style End-of-Days Rapture thing.
So – a very large chested woman named Bridget McGrath plays a very successful fertility doctor named Kimberly Gabriel who can’t have kids of her own. She is opted in to a U.S. Army experiment where an actor named Charles Hubbell (Dr. Gibson) has finally figured out how to clone a human embryo. Despite her initial reservations, she decides to go along with the experiments on illegal Mexican aliens as hosts and goes ahead and self-inseminates herself with one of the clone-embryos. Sure enough, it takes (but none of the others do) and eventually she Cesarean-style has a baby she names David (complete with an upside down cross indention on his baby-head). Shortly after that, we cut to seven years later, the Earth is in famine, war and death (Revelations), everyone seems to have “the mark of the beast”, the U.S. is in some sort of Ice Age and (I think) the Mexican government is controlling everything from food to water and bread and there is no gas or electricity. Kim and her son David are living alone in a cold, cold apartment and he Doctor (Hubbell) has gone bat-shit religious, preaching (and praying) constantly to his live-in sister and her daughter.
I’ll stop here, because this is a decent (but very slow) movie and I shouldn’t spoil it, but this could be much better. Let’s ax the record playing, the CGI cold breath, the way, WAY too many close-up shots, the irritating preaching by Hubbell, the clothes-with-no-bodies-Rapture business and make this into something exciting that’s not “Vanishing on 7th Street“. To me it’s “to each their own” and I have long read into the dogma of Christianity (and many other religions) and I get it, but how about someone funds something that is actually scary about the Apocalypse, which is a fearful thought, whichever “ism” you believe in. It’s been a LONGtime since I saw it with my friend Dave M, but I think my favorite of these types of things is “The Prophecy” with none other than my main man, Christopher Walken.
No, no you are NOT Jesus because I’m fairly certain Jesus would’ve had the common courtesy to put a comma in that freaking title. Seriously. That’s the first thing that’s wrong with I’m Not Jesus Mommy but never fear, that’s not the only thing that’s wrong here, trust me. There’s lots more to come!
The story starts out with a woman. She’s a cancer survivor but unfortunately the cancer left her unable to conceive. She has a husband who seems pretty sweet and loving – I mean they spend the first 20 minutes of the movie dancing around the kitchen and drinking wine and snuggling. In between the lovey-dovey, there are shots of the woman (Kimberly, btw) being interviewed because she is also a fertility doctor (irony!), then going to a top super secret meeting with military personnel, then getting all furious because at this top super secret meeting she learns that these people are cloning, then after that she decides to take a job with them. Hey, minds can be changed in the blink of an eye.
Roger is the lead doctor of this top super secret cloning project which seems to mostly consist of catching illegal immigrants and offering them the chance to become a permanent resident if they agree to be implanted and carry a baby to term. The embryos that aren’t implanted are destroyed which agonizes Kimberly. So what does she do? She grabs the first one she sees and impregnates herself, of course! No learning anything about the embryo or where it came from or any characteristics of it, nope, just point and shoot with the turkey baster. She’s totes excited about this and runs home to tell her husband who becomes furious. Why? Because she didn’t ask him and this wasn’t just her decision. This was an odd turn of events to me because it’s made pretty apparent before hand that Kimberly really really wants a baby and if you didn’t want a baby, Mr. Husband, pretty sure you should’ve said something like, AGES ago. *shakes head, rolls eyes* Mr. Husband runs off in a rage and immediately gets into a car wreck where his car is flipped over. Then another car comes along a minute later and smashes into him. Oh well.
Baby is born (which is pretty epic because all the other embryos implanted were still-born), baby is baptized. And suddenly, it’s 7 years later and the world has gone crazy. Mexico has closed off its borders and built a wall to discourage US and Canadian citizens from crossing into their land. People are being fed government rations and starving. There’s barely any electricity or heat and all that’s on the telly are the government rules (curfews, punishment for not obeying the rules). Life pretty much sucks.
Now, remember Roger, the cloning guru? Well, he’s gone extremely religious. He’s somewhere between fanatic and extremist. I mean, he’s smothering people in the name of love and all that (just a note – one of the people he smothers is an adorable little child so if that sort of thing bothers you, for sure never watch this one). And baby? Well, his name’s David and he has an imaginary friend named Kuddles and his mommy is dying and he wants to go to Mexico. There’s a lot of “yada, yada, government is bad, yada, yada, mommy is dying, yada, yada” exposition and then suddenly we’re at the end of this thing without anything really having happened. I will tell you this much about the end. The whole “I’m not Jesus” thing comes about from David having been cloned from blood found on the Shroud of Turin. Yep, he’s supposed to be a Jesus clone.
So what are my issues here? How about a handy little list?
1. The acting is bad. Kimberly is completely monotone. “My baby!” carries as much weight here as “I took out the garbage.” It’s entirely distracting.
2. This movie has no idea what it wants to be about. It starts off being about the dangers of cloning, then suddenly it turns into a statement about immigration, THEN it goes all religious and finally at the very end, it’s about cloning again. Now if they had picked just one of these (hell, even two) it would’ve made for a much more linear narrative but instead we get a jumble that doesn’t know what it wants to be preaching about.
3. The description I read about the movie before I watched states that “odd things happen when David is around”. NOTHING odd happens when David is around except that he’s a weird kid that wants to bring his mom back to life when she dies. And there’s one instance where Kuddles seems to “come to life”, so to speak.
4. We see people getting killed and then a minute later, all that’s left of them is their clothing. So we seem to have the Rapture going on but why do they need to die first for this to happen? Admittedly, I haven’t gone to church in awhile but my understanding is that you can just be raptured without being killed first.
5. Why did the world suddenly go all Big Brother crazy? There is NO indication of this happening prior to the title card “7 Years Later”. Did cloning make this happen, is that what we’re supposed to surmise? This plot point seemed to come totally out of left field.
So much wrong when this could’ve been so much of a right. *sighs*
Citizen ‘Caine comes to us courtesy of John Ervin, who also brought us The Tiki War (which you might remember me reviewing in Rogue Cinema a couple of issues back). While I enjoyed The Tiki War, unfortunately I did not enjoy Citizen ‘Caine. The film didn’t serve so much as a look at the grittier side of life as it did to a somewhat boring slice of life. While I don’t think the point of the film was to be grittily morose, one would think that diving into an exploration of the adult film industry and cocaine addiction would be dirtier and more interesting. Mostly though, I just kept wondering what point the film was trying to make exactly and that’s usually not a good sign…
Synopsis: Lou Phillips, a cocaine-addicted insurance salesman from Minnesota, confronts the seedy underbelly of Hollywood in search of his missing teenaged daughter. During his search he interrupts a shoot at LA’s Deep Horizons Studios, which specializes in home-maintenance videos that also serve as adult-entertainment films. In the process of confronting director Sir John Blunstone, his crew, and his biggest star Martha Sunset, Lou also confronts his addiction to cocaine.
See, that sounds kinda neat, right? And I liked Scott Carson as “Lou” A LOT…except for when he was in Hollywood. Those scenes he wasn’t as good in but it had more to do with the dialogue than him. Because there was simply too much extraneous dialogue floating about here. I’m guessing 7-10 minutes could’ve been cut from this 30 minute film and it would have still worked (possibly even better?). Simply removing the word “Ratan” from appearing so many times would have been an improvement.
What the film DID have going for it were the rare jokes sprinkled throughout. I did find the mixture of sex and appliances strangely amusing, as well as the several references to Nicolas Cage being the BEST ACTOR EVER. But as a whole? The acting made me wince…the dialogue went on and on…and the film just left me empty. It was a nice effort but one that didn’t really pay off. (And let’s face it, if you’re making a movie about people having sex with blenders, it should be fabulous, even if it’s just so BAD that it’s hilarious. But this was just BAD).
*FOR YOUR CONSIDERATION*
From writer/directors Jeremy Scoggins and Matthew Hibbs and Executive Producer P.J. Starks (Volumes of Blood) comes the next generation of super heroes.
The Trio: Knightmare, Dreamcatcher, and Anarchy-X, three ordinary people, called upon to be the vigilante heroes of a city wrought with dark secrets. Plagued with their own personal demons, they bring it upon themselves to become the saviors in a thankless city. Under the watchful eye of their mentor Chronos, who harbors a past of darkness himself, the Trio wages a war on the villains of the city. The sadistic drug lord Animus holds grip on the underworld, while Persephone Masters, a crafty and powerful politician, sits on high in the city and hires the cold and calculating assassin, Strife, to eliminate anyone who stands in her way. The villains play River City like their own personal chess game with the veiled and mysterious Cryofire corporate power quietly plotting all the moves. With the Trio holding on to what justice there is left in the city, they are faced with unexpected challenges both within themselves and throughout the streets as they set about hunting down the men and women who have corrupted their city.
In a city where crime seeps from its pores, the victims must become the answer to their own prayers.
Production Company: Hive Mind Studios
Starring: Jeremy Scoggins, Louisa Torres, Derreck Fraser, Markus Porter, Kevin Arnold, Jeremiah Hinson, Jaron Scoggins.
You too can help stop evil by contributing to the cause!
The latest issue of Rogue Cinema is here and you KNOW you’re dying to read it…so what are you waiting for? An engraved invitation?? Sorry, I don’t have any of those. I can give you a preview of the issue though! Inside this month, you’ll find great articles on awesome films like these (and TONS more)!
Awhile back I did an interview with my friend P.j. about his upcoming horror anthology, Volumes of Blood, and lo and behold the premiere is finally upon us! I, for one, am super excited about this (even if I can’t go to the premiere because distance). I think the anthology is going to be pretty cool though and I’m excited to see it when it gets a wider release. P.j. sent me this teaser short to give you guys a taste of what’s to come, so enjoy!
“Kevin Smith has always been a huge inspiration for me, so I made the decision to create my own universe around Volumes of Blood. This is just the first online short in that mission. The Preylude shows you how one of the characters from the film gets into the situation we find her in, in the film. There’s no real pay off, because the conclusion follows through in the motion picture that releases on Friday the 13th this month at the Owensboro Convention Center. Tickets are only $5 and all proceeds go to a local charity. Doors open at 7 pm. It’s gonna be a great time for a good cause.” ~P.j. Starks
If you want to learn more, check out the Volumes of Blood Facebook page!
Today’s the day of turkey and gratefulness and to combine these two things, I’m sharing one of my favorite Thanksgiving movies – Thankskilling!! There’s nothing better than a homicidal turkey and topless Pilgrims on Thanksgiving, so I suggest you give Thankskilling a view after you’ve killed your turkey dinner. Heh. Happy Thanksgiving to my American friends!
If you’ve been a reader of this site for awhile, then there are at least three things you know about me: 1) I love horror 2) I’m a pretty big and pretty dedicated fan of Jeremiah Kipp’s work and 3) I am a fan of Edgar Allan Poe. At least, I’m pretty sure I’ve mentioned my love of Poe before (my memory is just the worst…). I started reading dear old Poe when I was 8 (not sure why my parents allowed that but hey, it gave me my first foray into horror lit and into the horror genre itself!) and “The Cask of Amontillado” was always my favorite. Something about being walled up for eternity just totally creeped me out (that 8 year old imagination probably came into wicked play there…). My friend, Jeremiah, has taken one of Poe’s short stories “Berenice” and turned into an deliciously creepy short film. It’s his little piece of the upcoming horror anthology Creepers, debuting on Blu-ray and VOD on October 7.
If you’re unfamiliar with the story, as I was (and thank goodness I didn’t read this one as a child, is all I gotta say), there once was a boy named Edward who had a lovely cousin named Berenice (names updated for our modern audience) who came to live with him and his parents. Edward (Thomas Mendolia) is a bit awkward and obsessive compulsive. He has to turn lamps on a certain number of times and tinkers with small mechanical parts at his desk, alone in his room. Social he is not. Then along comes Berenice (Cheryl Koski) who is everything Edward is not – sociable, graceful, roaming carelessly through life. Except there’s a catch. Isn’t there always? Berenice is ill, dreadfully ill, with a mysterious malaise that we, at best, know causes seizures. And then there’s Edward’s mother (Susan Adriensen), who while being a bit of a stiff actress, manages to be absolutely terrifying. I’ve no idea if she’s in love with her son or just extremely overprotective and overpowering but I would not cross that woman. Edward’s father (Bob Socci) is rather unassuming, although he too comes off as a bit stiff. Edward is eventually told that he must be the one to take care of Berenice as she worsens, which he seems to be fine with as he’s seemingly…charmed by her, shall we say? And from there, I’ll let you either watch the film or go hunt down the story because what happens next is at times gruesome and then creepy.
Is the film good? You betcha. Thomas and Cheryl both embody their characters in such a way that it’s almost painful to watch – which in this particular story is a good thing. I’m far from being squeamish but there were a couple of scenes here that made me squirm just a bit (although it has been a rather long time since I’ve watched anything other than a tv show binge on Netflix…maybe that’s why…). And the ending? It’s not even the ending actually; it’s just the last final shot that got me. *shudders* Pure cinematic horror goodness right there.
If you love Poe, if you’ve liked my reviews of Jeremiah’s other works, if you just like short horror films done well and if you like horror anthologies (cause I hear the other parts are pretty kickawesome as well!), then check out “Berenice” and Creepers on October 7th!